IN THE SHADOW OF THE BANYAN
You are about to read an extraordinary story. It will take you to the very depths of despair and show you unspeakable horrors. It will reveal a gorgeously rich culture struggling to survive through a furtive bow, a hidden ankle bracelet, fragments of remembered poetry. It will ensure that the world never forgets the atrocities committed by the Khmer Rouge regime in Cambodia between 1975 and 1979,
You are about to read an extraordinary story. It will take you to the very depths of despair and show you unspeakable horrors. It will reveal a gorgeously rich culture struggling to survive through a furtive bow, a hidden ankle bracelet, fragments of remembered poetry. It will ensure that the world never forgets the atrocities committed by the Khmer Rouge regime in Cambodia between 1975 and 1979, when an estimated two million people lost their lives. It will give you hope, and it will confirm the power of storytelling to lift us up and help us not only survive but transcend suffering, cruelty, and loss.
For seven-year-old Raami, the shattering end of childhood begins with the footsteps of her father returning home in the early dawn hours, bringing details of the civil war that has overwhelmed the streets of Phnom Penh, Cambodia’s capital. Soon the family’s world of carefully guarded royal privilege is swept up in the chaos of revolution and forced exodus. Over the next four years, as the Khmer Rouge attempts to strip the population of every shred of individual identity, Raami clings to the only remaining vestige of her childhood— the mythical legends and poems told to her by her father. In a climate of systematic violence where memory is sickness and justification for execution, Raami fights for her improbable survival. Displaying the author’s extraordinary gift for language, In the Shadow of the Banyan is a brilliantly wrought tale of human resilience.
“Lyrical . . . It’s Raami’s mother who will stay in your heart . . . Somehow she retains the will to survive and the strength to help others, fiercely telling her daughter, ‘Remember who you are.’&rdqou;— People, four stars
“The horrors committed by Cambodia’s Khmer Rouge, as experienced by one extremely resilient girl. A brutal novel, lyrically told.”— O, The Oprah Magazine
“Unputdownable.”—Better Homes and Gardens
“This stunning memorial expresses not just the terrors of the Khmer Rouge but also the beauty of what was lost. A hauntingly powerful novel imbued with the richness of old Cambodian lore, the devastation ofmonumental loss, and the spirit of survival.”— Publishers Weekly (starred review)
According to the prophecy that Grandmother Queen tells Raami at the beginning of the novel, “There will remain only so many of us as rest in the shadow of a banyan tree.” What does the prophecy mean to Raami when she first hears it? How does her belief in the prophecy change by the end of the novel? After reading, what does the title of this novel mean to you?
Tata tells Raami, “The problem with being seven—I remember myself at that age—is that you’re aware of so much, and yet you understand so little. So you imagine the worst.” Discuss Raami’s impressions as a seven-year-old. How much is she aware of, and how much (or little) does she understand?
Review the scene in which Raami tells the Kamapibal her father’s real name. How does this serve as a turning point in the novel—what changes forever after this revelation? How does it affect Raami, and her relationship with both Papa and Mama?
Papa tells Raami, “I told you stories to give you wings, Raami, so that you would never be trapped by anything—your name, your title, the limits of your body, this world’s suffering.” How does the power of storytelling liberate Raami at different points in the novel?
Compare Mama’s and Papa’s styles of storytelling. When does each parent tell Raami stories, and what role do these stories serve? Which of Papa’s stories did you find most memorable? Which of Mama’s?
Consider Raami and her family’s Buddhist faith. How do their beliefs help them endure life under the Khmer Rouge?
Discuss Raami’s feelings of guilt over losing Papa and Radana. Why does she feel responsible for Papa’s decision to leave the family? For Radana’s death? How does she deal with her own guilt and grief?
What does Big Uncle have in common with Papa, and how do the two brothers differ? How does Big Uncle handle the responsibility of keeping his family together? What ultimately breaks his spirit?
Raami narrates, “my polio, time and again, had proven a blessing in disguise.” Discuss Raami’s disability, and its advantages and disadvantages during her experiences.
Although Raami endures so much hardship in the novel, in some ways she is a typical inquisitive child. What aspects of her character were you able to relate to?
Discuss how the Organization is portrayed in the novel. How does Raami picture the Organization to look, sound, and act? How do the Organization’s policies and strategies evolve over the course of the novel?
Names have a strong significance in the novel. Papa tells Raami he named her Vattaaraami, “Because you are my temple and my garden, my sacred ground, and in you I see all of my dreams.” What does Papa’s own name, Sisowath Ayuravann, mean? What traditions and stories are passed down through these names?
Consider Raami’s stay with Pok and Mae. Discuss what and how both Raami and Mama learn from them, albeit differently. Do you think their stay with Pok and Mae gave them hope?
“Remember who you are,” Mama tells Raami when they settle in Stung Khae. How does Raami struggle to maintain her identity as a daughter, a member of the royal family, and a Buddhist? Why does Mama later change her advice and encourage Raami to forget her identity?
Mama tells Raami after Radana’s death, “I live because of you—for you. I’ve chosen you over Radana.” Discuss Mama’s complicated feelings for her two daughters. Why did Raami assume that Radana was her mother’s favorite, and how does Mama’s story change Raami’s mind?
At the end of the novel, Raami realizes something new about her father’s decision to give himself up to the Kamapibal: “I’d mistaken his words and deeds, his letting go, for detachment, when in fact he was seeking rebirth, his own continuation in the possibility of my survival.” Discuss Papa’s “words and deeds” before he leaves the family. Why did Raami mistake his intentions, and how does she come to realize the truth about him?
How much did you know about the Khmer Rouge before reading In the Shadow of the Banyan? What did you learn?