SNOW FLOWER AND THE SECRET FAN
In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, an “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s written a poem in nu shu,
In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, an “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s written a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men. As the years pass, Lily and Snow Flower send messages on the fan and compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. Together they endure the agony of footbinding and reflect upon their arranged marriages, their loneliness, and the joys and tragedies of motherhood. The two find solace in their friendship, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their relationship suddenly threatens to tear apart.
Snow Flower and the Secret Fan is a captivating journey back to an era of Chinese history that is as deeply moving as it is sorrowful. This lyrical and emotionally charged novel is, as the Seattle Times says, “a beautifully drawn portrait of female friendship and power.”
“Lisa See has written her best book yet. Snow Flower and the Secret Fan is achingly beautiful, a marvel of imagination of a real and secret world that has only recently disappeared. It is a story so mesmerizing the pages float away and the story remains clearly before us from beginning to end.”—Amy Tan, author of The Joy Luck Club and The Opposite of Fate: A Book of Musings
“Only the best novelists can do what Lisa See has done, to bring to life not only a character but an entire culture, and a sensibility so strikingly different from our own. This is an engrossing and completely convincing portrayal of a woman shaped by suffering forced upon her from her earliest years, and of the friendship that helps her to survive.” –Arthur Golden, author of Memoirs of a Geisha
“[A] marvelous narrative . . . a timeless portrait of a contentious, full-blooded female friendship.”—Entertainment Weekly (Editor’s Choice)
In your opinion, is Lily, who is the narrator, the heroine or the villain? What are her flaws and her strengths?
Do you think the concept of “old sames” exists today? Do you have an “old same,” or are you part of a sworn sisterhood? In what ways are those relationships similar or different from the ones in nineteenthcentury China?
Some men in nineteenth-century China apparently knew about nu shu, the secret women’s writing described in Snow Flower. Why do you think they tolerated such private communication?
Lily writes her story so that Snow Flower can read it in the afterworld. Do you think she tells her story in a convincing way so that Snow Flower can forgive and understand? Do you think Snow Flower would have told the story differently?
When Lily and Snow Flower are girls, they have one intimate– almost erotic–moment together. Do you think their relationship was sexual or, given the times, were they simply girls who saw this only as an innocent extension of their friendship?
Having a wife with bound feet was a status symbol for men, and, consequently, having bound feet increased a woman’s chances of marriage into a wealthier household. Women took great pride in their feet, which were considered not only beautiful but also their best and most important feature. As a child, would you have fought against having your feet bound, as Third Sister did, knowing you would be consigned to the life of a servant or a “little daughter-inlaw”? As a mother, would you have chosen to bind your daughter’s feet?
The Chinese character for “mother love” consists of two parts: one meaning “pain,” the other meaning “love.” In your own experience, from the perspective of a mother or a daughter, is there an element of truth to this description of mother love?
The author sees Snow Flower and the Secret Fan as a novel about love and regret, but do you think there’s also an element of atonement in it as well?
In the story, we are told again and again that women are weak and worthless. But were they really? In what ways did Lily and Snow Flower show their strength and value?
The story takes place in the nineteenth century and seems very far removed from our lives–for instance, we don’t have our feet bound, and we’re free and mobile. Do you think we’re still bound up in other ways: by career, by family obligations, by conventions of feminine beauty, or even by events beyond our control (war, the economy, and natural disasters)?
Because of its phonetic nature, nu shu could easily be taken out of context and be misunderstood. Today, many of us communicate though e-mail or instant-messaging. Have you ever had an experience where one of your messages was misunderstood because of lack of context, facial or body gestures, and tone of voice? Or have you ever received a message that you misinterpreted and had your feelings hurt?
Madame Wang, the matchmaker, is a foot-bound woman and yet she does business with men. How is she different from the other women in the story? Do you think she is considered a woman of status or is she merely a necessary evil?