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A PLACE FOR US

The first novel from Sarah Jessica Parker’s new imprint, SJP for Hogarth, A Place for Us is a deeply moving and resonant story of love, identity, and belonging

As an Indian wedding gathers a family back together, parents Rafiq and Layla must reckon with the choices their children have made. There is Hadia: their headstrong, eldest daughter, whose marriage is a match of love and not tradition. Huda, the middle child, determined to follow in her sister’s footsteps. And lastly, their estranged son, Amar, who returns to the family fold for the first time in three years to take his place as brother of the bride. 

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THE MANDELA PLOT

A vibrant, propulsive literary thriller that charts the high-stakes journey of a young man trying to find his place in a country that has lost its way

As the 1980s draw to a close, South Africa is a maelstrom of political violence with the apartheid regime in its death throes. Young Martin Helger is the struggling odd duck at an elite private boys school in Johannesburg, with his father a rough-handed scrap dealer and his brother a mysterious legend.

When a beautiful and manipulative American arrives at the family home, Martin soon finds himself wrenched out of his isolated bubble and thrust into the raw heart of the struggle.

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THE STOLEN BICYCLE

A writer embarks on an epic quest in search of his missing father’s stolen bicycle and soon finds himself caught up in the strangely intertwined stories of Lin Wang, the oldest elephant who ever lived, the soldiers who fought in the jungles of South-East Asia during the Second World War and the secret worlds of the butterfly handicraft makers and antique bicycle fanatics of Taiwan.

The Stolen Bicycle is both a majestic historical novel and a profound, startlingly intimate meditation on memory, family and home.

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BIG LITTLE MAN

A “searingly honest self-exploration” (New York Times) of the experience and psyche of the Asian American male, including Tizon’s stunning final article, “My Family’s Slave”

Shame, Alex Tizon tells us, is universal—his own happened to be about race. To counteract the steady diet of American television and movies that taught Tizon to be ashamed of his face, his skin color, his height, he turned outward. (“I had to educate myself on my own worth. It was a sloppy, piecemeal education, but I had to do it because no one else was going to do it for me.”) Tizon illuminates his youthful search for Asian men who had no place in his American history books or classrooms.

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THE LOST PILOTS

During the height of the roaring twenties, Jessie Miller longs for adventure. Fleeing a loveless marriage (though without divorcing) in the backwaters of Australia, twenty-five-year-old Jessie arrives in London and promptly falls in with the Bright Young Things, those boho-chic intellectuals draped in pearls, and flapper dresses with martinis in hand. At a gin soaked party Jessie meets William Lancaster, married himself and fresh from the Royal Air force, with a scheme in his head to become as famous as Charles Lindbergh, who has just crossed the Atlantic. Lancaster will do Lindy one better: fly from London to Melbourne, and in Jessie Miller he’s found the perfect co-pilot.

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THE BUTTON WAR

Twelve-year-old Patryk knows little of the world beyond his tiny Polish village; the Russians have occupied the land for as long as anyone can remember, but otherwise life is unremarkable. Patryk and his friends entertain themselves by coming up with dares — some more harmful than others — until the Germans drop a bomb on the schoolhouse and the Great War comes crashing in. As control of the village falls from one nation to another, Jurek, the ringleader of these friends, devises the best dare yet: whichever boy steals the finest military button will be king. But as sneaking buttons from uniforms hanging to dry progresses to looting the bodies of dead soldiers — and as Jurek’s obsession with being king escalates — Patryk begins to wonder whether their “button war” is still just a game.

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