When two nineteenth-century Oxford students—Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley—form an unlikely friendship, the result is a tour de force that could only come from one of the world’s most accomplished and prolific authors.
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor’s purposes.
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In 2005, First Sergeant Charles Monroe King began to write what would become a two-hundred-page journal for his son in case he did not make it home from the war in Iraq. He was killed by a roadside bomb on October 14, 2006. His son, Jordan, was seven months old. A Journal for Jordan is a mother’s letter to her son about the father he lost before he could even speak–including a fiercely honest account of her search for answers about Charles’s death. It is also a father’s advice and prayers for the son he will never know.
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At the Manhattan knitting store founded by Georgia Walker, the members of the Friday Night Knitting Club—including Georgia’s daughter Dakota, now a college freshman—continue to rely on each other for help, even as they struggle with new challenges: for Catherine, finding love after divorce; for Darwin, the hope for a family; for Lucie, being both a single mom and a caregiver for her elderly mother; and for seventy something Anita, a proposal of marriage from her sweetheart, Marty, that provokes the objections of her grown children. As the club’s projects—an afghan, baby booties, a wedding coat—are pieced together, so is their understanding of the patterns underlying the stresses and joys of being a mother,
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From a talented new author comes a poignant and haunting novel of creation and desire, passion and madness, art and love.
A young prostitute seeking temporary refuge from the brothel, Rachel awakens in a beautiful garden in Arles to discover she is being sketched by a red-haired man in a yellow straw hat. This is no ordinary artist but the eccentric painter Vincent van Gogh—and their meeting marks the beginning of a remarkable relationship. He arrives at their first assignation at No. 1, Rue du Bout d’Arles, with a bouquet of wildflowers and a request to paint her—and before long,
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Penelope Cameron has convinced her husband and four friends to sign an unusual pact. If Penelope should die before her daughters turn eighteen, her husband, Joey, cannot remarry without the consent of her sister and three best friends. Then, the unthinkable happens, and Penelope’s family and friends must struggle to live life without her.
Penelope’s young daughters, her husband, and friends are slowly rebuilding new lives when the fragile serenity they have gained is suddenly threatened. Penelope’s distant cousins are eager to gain control of the family money, and ruthlessly plant seeds of doubt and distrust among the friends.
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The riveting history of a beautiful queen, a shocking murder, a papal trial — and a reign as triumphant as any in the Middle Ages.
On March 15, 1348, Joanna I, Queen of Naples, stood trial for her life before the Pope and his court in Avignon. She was twenty-two years old. Her cousin and husband, Prince Andrew of Hungary, had recently been murdered, and Joanna was the chief suspect. Determined to defend herself—Joanna won her acquittal against enormous odds. Returning to Naples, she ruled over one of Europe’s most prestigious courts for more than thirty years—until she was herself murdered.
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