“Sometimes you do not truly observe something until you study it in reverse,” writes Karim Issar upon arrival to New York City from Qatar in 1999. Fluent in numbers, logic, and business jargon yet often baffled by human connection, the young financial wizard soon creates a computer program named Kapitoil that predicts oil futures and reaps record profits for his company.
At first an introspective loner adrift in New York’s social scenes, he anchors himself to his legendary boss Derek Schrub and Rebecca, a sensitive, disillusioned colleague who may understand him better than he does himself. Her influence,
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“I need you to understand how ordinary it all was. . . .”
In the turbulent southern summer of 1963, Millwood’s white population steers clear of “Shake Rag,” the black section of town. Young Florence Forrest is one of the few who crosses the line. The daughter of a burial insurance salesman with dark secrets and the town’s “cake lady,” whose backcountry bootleg runs lead further and further away from a brutal marriage, Florence attaches herself to her grandparents’ longtime maid, Zenie Johnson. Named for Zenobia, Queen of Palmyra, Zenie treats the unwanted girl as just another chore,
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Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel’ d’Hiv’ roundup, but not before she locks her younger brother in a cupboard in the family’s apartment, thinking that she will be back within a few hours.
Paris, May 2002: On Vel’ d’Hiv’s 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France’s past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl’s ordeal,
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At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems,
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Rosamund Walsingham is not your average sixteenth-century lady. Plucked from her simple country home by her conniving cousin, the secretary of state Sir Francis Walsingham, Rosamund is sent to London to spy on Queen Elizabeth’s court. Francis asks her to gather information by keeping a sketchbook and diary of everything she observes and overhears in the queen’s private chambers. Her work at the court leads to an unexpected romance with a young playwright and courtier, Will Creighton.
In the throes of romance, Rosamund’s affair is discovered, and she is banished from Elizabeth’s court, but Francis believes Rosamund can be of use to his cause of entrapping Mary,
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George Gates used to be a travel writer who specialized in places where people disappeared—Judge Crater, the Lost Colony. Then his eight-year-old son was murdered, the killer never found, and Gates gave up disappearance. Now he writes for the town paper, stories of redemptive triviality about flower festivals and local celebrities, and spends his evenings haunted by the image of his son’s last day.
Enter Arlo McBride, a retired missing-persons detective still obsessed with the unsolved case of Katherine Carr. When he gives Gates the story she left behind—about a man stalking a woman named Katherine Carr—Gates too is drawn inexorably into a search for the missing author’s brief life and uncertain fate.
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