GREAT EXPECTATIONS
Pip, a poor orphan being raised by a cruel sister, does not have much in the way of great expectations—until he is inexplicably elevated to wealth by an anonymous benefactor. Full of unforgettable characters—including a terrifying convict named Magwitch, the eccentric Miss Havisham, and her beautiful but manipulative niece, Estella, Great Expectations is a tale of intrigue, unattainable love, and all of the happiness money can’t buy. “Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language,” according to John Irving, and J. Hillis Miller declares, “
Pip, a poor orphan being raised by a cruel sister, does not have much in the way of great expectations—until he is inexplicably elevated to wealth by an anonymous benefactor. Full of unforgettable characters—including a terrifying convict named Magwitch, the eccentric Miss Havisham, and her beautiful but manipulative niece, Estella, Great Expectations is a tale of intrigue, unattainable love, and all of the happiness money can’t buy. “Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language,” according to John Irving, and J. Hillis Miller declares, “Great Expectations is the most unified and concentrated expression of Dickens’s abiding sense of the world, and Pip might be called the archetypal Dickens hero.”
- Vintage
- Paperback
- January 2012
- 464 Pages
- 9780307947161
Buy the Book
$7.00
About Charles Dickens
Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. At age eleven, Dickens was taken out of school and sent to work in London backing warehouse, where his job was to paste labels on bottles for six shillings a week. His father John Dickens, was a warmhearted but improvident man. When he was condemned the Marshela Prison for unpaid debts, he unwisely agreed that Charles should stay in lodgings and continue working while the rest of the family joined him in jail. This three-month separation caused Charles much pain; his experiences as a child alone in a huge city–cold, isolated with barely enough to eat–haunted him for the rest of his life.
Discussion Questions
The two endings to Great Expectations (see pp. 437-38 for a note about the original ending and the text of it) have been the source of endless controversy among critics. Which ending do you think is better and why?
What is the role of food and drink in the novel?
Critic Robin Gilmour argues that although Pip believes the savagery of the marshes and the refinement of Satis House are irreconcilably opposed, in fact “criminality and civilization, violence and refinement, Magwitch and Estella, are not warring opposites but intimately and inextricably bound together.” Do you agree or disagree?
What accounts for Pip’s moral regeneration in the third part of the novel?
Julian Moynahan, in a very influential essay on Great Expectations, argues that “Orlick rather than Magwitch is the figure from the criminal milieu of the novel whose relations to him come to define Pip’s implicit participation in the acts of violence with which the novel abounds,” suggesting, for example, that Orlick, in bludgeoning Mrs. Joe, merely acts as Pip’s surrogate in taking revenge on her for her cruel treatment, and that Drummle, a duplication of Orlick, is likewise a surrogate for Pip in his beating of Estella. Moynahan is in part responding to Dorothy Van Ghent’s claim in her 1953 book on the English novel that “[w]hat brings the convict Magwitch to the child Pip, in the graveyard, is more than the convict’s hunger; Pip . . . carries the convict inside him, as the negative potential of his ‘great expectations’-Magwitch is the concretion of [Pip’s] potential guilt.” Which side do you take in this debate?
How does place function in the novel? Consider such examples as the forge, the marshes, Satis House, and Newgate Prison.
Margaret Oliphant wrote in a 1862 review of Great Expectations: “So far as ‘Great Expectations’ is a sensation novel, it occupies itself with incidents all but impossible, and in themselves strange, dangerous, and exciting, but so far as it is one of the series of Mr Dickens’s works, it is feeble, fatigued, and colourless. One feels that he must have got tired of it as the work went on, and that the creatures he had called into being, but who are no longer the lively men and women they used to be, must have bored him unspeakably before it was time to cut short their career, and throw a hasty and impatient hint of their future to stop the tiresome public appetite.” Do you agree or disagree with this assessment?