THE BARTENDER’S TALE
A national bestseller, the story of “a boy’s last days of youth and a history his father can’t leave behind” (The Daily Beast).
Tom Harry has a streak of frost in his black pompadour and a venerable bar called The Medicine Lodge, the chief watering hole and last refuge in the town of Gros Ventre, in northern Montana. Tom also has a son named Rusty, an “accident between the sheets” whose mother deserted them both years ago. The pair make an odd kind of family, with the bar their true home, but they manage just fine.
A national bestseller, the story of “a boy’s last days of youth and a history his father can’t leave behind” (The Daily Beast).
Tom Harry has a streak of frost in his black pompadour and a venerable bar called The Medicine Lodge, the chief watering hole and last refuge in the town of Gros Ventre, in northern Montana. Tom also has a son named Rusty, an “accident between the sheets” whose mother deserted them both years ago. The pair make an odd kind of family, with the bar their true home, but they manage just fine.
Until the summer of 1960, that is, when Rusty turns twelve. Change arrives with gale force, in the person of Proxy, a taxi dancer Tom knew back when, and her beatnik daughter, Francine. Is Francine, as Proxy claims, the unsuspected legacy of her and Tom’s past? Without a doubt she is an unsettling gust of the future, upending every certainty in Rusty’s life and generating a mist of passion and pretense that seems to obscure everyone’s vision but his own. The Bartender’s Tale wonderfully captures how the world becomes bigger and the past becomes more complex in the last moments of childhood.
- Riverhead Books
- Paperback
- August 2013
- 432 Pages
- 9781594631481
Buy the Book
$16.00
About Ivan Doig
Ivan Doig was born in Montana and grew up along the Rocky Mountain Front, the dramatic landscape that has inspired much of his writing. A former ranch hand, newspaperman, and magazine editor, with a Ph.D. in history, Doig is the author of nine previous novels, most recently The Whistling Season and The Eleventh Man, and three works of nonfiction, including his classic first book, the memoir This House of Sky. He has been a National Book Award finalist and has received the Wallace Stegner Award, a Distinguished Achievement Award from the Western Literature Association, and multiple PNBA and MPBA Book Awards, among other honors. He lives in Seattle.
Praise
“The perfect book for your bedside table. Pick it up, lose yourself in the past and remember what it was like to be twelve years old, when your world and all the people who entered into it felt as fresh as the Montana mountain air.”—Associated Press
“[The] rewards of The Bartender’s Tale—a subtle and engaging narrative, characters who behave the way real people behave, the joys of careful and loving observation—remain very great and extremely rare.“—The Washington Post
“Doig cranks into motion a dense valentine of a novel about a father and a small town at the start of the 1960s… Doig writes the tenderness between Rusty and his father vividly, and his facility with natural, vernacular dialogue is often hypnotizing… The Bartender’s Tale is thoroughly engaging, and the book’s soft focus of nostalgia is in itself a kind of pleasure.”—NPR
“Doig is at his best with coming-of-age stories. And he is masterful at exploring the emotional complexities of family and community through the eyes of a precocious youth… [He] has fashioned a moving tale of tolerance, self-discovery and forgiveness in which a child comes to terms with his own origins and in the process opens a new door to his future.”—The Seattle Times
Discussion Questions
Theatre plays a great part in this story, with Rusty and Zoe initiated into the mysteries of the stage via the amateur actress Mrs. Reinking and their own forays into comic “bits.” What are the two adolescents learning about character and contrivance? How does the theme of performance and pretense underscore the dramas of the novel’s “real” dramatis personae – especially Tom, Proxy, and Francine?
Why do you think Doig decided to set this novel at the dawn of the 1960s? How does he signal the cultural upheavals to come? What connections do you see between Rusty’s loss of innocence over the course of the novel and the cultural moment in which it takes place?
The plot is aswirl with various adult pairings, past and present, real and imagined—Tom and Rusty’s mysteriously vanished mother, Tom and Proxy, Del and Francine—seen through the young eyes of Rusty and Zoe. What do you think is Doig’s stance toward love? Why doesn’t he give any of the couples a conventionally happy ending – except, we discover, Rusty and Zoe?
Del’s Missing Voices Oral History project is based on the Federal Writers’ Project – a WPA program that sent writers across the country to, among other things, collect oral histories from various remote regions of the country. How does Doig carry on this tradition in his own writing?
The parent-child relationships in this novel are freighted with baggage from decades past. In what ways does Doig visit the “sins of the fathers” (and mothers) on their offspring, and in what ways does he absolve them?
The Medicine Lodge plays a unique role in Gros Ventre, functioning as hub of the town’s social life and showcase for a pageant of human quirks and contrariness. What are some examples? What contemporary institutions function in a similar way?
Though this novel is set in the early 1960s, its characters are shadowed by of the Great Depression. Why does Doig pair these two time periods? How do they resonate with today’s dilemmas?
The Bartender’s Tale features a memorable collection of supporting players, some of whom are inanimate objects: Igdrasil the tree, the Gab Lab, and the various treasures in the back room of the bar. What kind of role do these “characters” play in the story? Can you think of other authors who use this technique?
Doig introduces a great deal of suspense into the story over the identity and whereabouts of Rusty’s mother, yet he chooses not to introduce her directly into the story or to clarify much about her until the end. What do we learn from Rusty’s efforts to fill in the gaps in his and his father’s history?
Were you surprised by Francine’s behavior at the end of the story? Why do you think Doig chose to give her the fate he did?