CHANEL BONFIRE
A Memoir
Georgann Rea didn’t bake cookies or go to PTA meetings; she wore a mink coat and always had a lit Dunhill plugged into her cigarette holder. She’d slept with too many men and a few women, and she didn’t like dogs or chil¬dren. Georgann possessed the icy beauty of a Hitchcock heroine with the cold heart to match.
From living at the Dakota in 1960s Manhattan to London’s swinging town houses and beyond, Wendy Lawless and her younger sister navigated day-to-day life as their unstable and fabulously neglectful mother, Georgann, chased her delusions, suffered dramatic breakdowns, and survived suicide attempts.
Georgann Rea didn’t bake cookies or go to PTA meetings; she wore a mink coat and always had a lit Dunhill plugged into her cigarette holder. She’d slept with too many men and a few women, and she didn’t like dogs or chil¬dren. Georgann possessed the icy beauty of a Hitchcock heroine with the cold heart to match.
From living at the Dakota in 1960s Manhattan to London’s swinging town houses and beyond, Wendy Lawless and her younger sister navigated day-to-day life as their unstable and fabulously neglectful mother, Georgann, chased her delusions, suffered dramatic breakdowns, and survived suicide attempts. With clear-eyed grace and flashing wit, Lawless portrays the highs and lows of her unhinged upbringing—and how she survived her mother’s endlessly destructive search for glamour and fulfillment—in “a searing memoir that reads like a novel” (Anne Korkeakivi, An Unexpected Guest).
- Gallery Books
- Paperback
- November 2013
- 320 Pages
- 9781476745480
Buy the Book
$16.00
About Wendy Lawless
Wendy Lawless is an actress who has appeared on television, in regional theater, Off-Broadway in David Ives’s Obie-winning play All in the Timing and on Broadway in The Heidi Chronicles. Her work has appeared in Redbook magazine, on Powells.com, and in the local Los Angeles press. She lives in California with her screenwriter husband and their two children.
Praise
“Lawless leavens her harrowing story with biting humor and never descends into self-pity–but boy, do we feel for her.”—People
“Frequently entertaining chronicle of a daughter’s sad, detached upbringing.”—Kirkus Review
“Lawless leavens her harrowing story with biting humor and never descends into self-pity–but boy, do we feel for her.”—People
“[A] quick but powerful read that you can only wish was fiction.”—USA Today
Discussion Questions
Why do you suppose Wendy Lawless chose to open Chanel Bonfire with her mother’s first suicide attempt? What does this scene reveal about Georgann, as well as about nine-year-old Wendy and her younger sister, Robin?
When Wendy and Robin were children, Georgann told them about her abusive upbringing in the form of a bedtime story. Did knowing about her traumatic past make you more sympathetic? Why or why not? Do you think Georgann had any redeeming qualities as a mother? How do you think Wendy and Robin would answer this question?
Why did Wendy decide to contact her father after not seeing him for a decade? Given the circumstances, do you think James Lawless gave up too easily on trying to be involved in his daughters’ lives? Why or why not?
Refusing to speak to her daughters for extended periods of time was Georgann’s “most effective tactic.” (pg. 68) Why was this form of punishment even more devastating for Wendy than being spanked with a hairbrush or sent to bed without supper?
In what ways is role-playing a theme in Chanel Bonfire? What motivated Georgann to frequently reinvent herself? Why did her transformations typically coincide with a move to a new town or city?
Discuss Wendy and Robin’s relationship and how it changed in their teen years. “Robin had fully evolved into the defiant one” (pg. 138), says Wendy. What role did Wendy play in their sibling dynamic? Did their relationship remind you of any of your own personal relationships?
“I loved just being at the theater, the way it smelled, looked, and made me feel” (pg. 262), says Wendy. What did the theater and performing represent to Wendy? How much of her desire to act had to do with her father?
In hindsight, Wendy had misgivings about leaving Robin alone in the “Snake Pit” with their mother when she moved into the college dorm. Was she right or wrong to leave her sister alone with Georgann? Why did Wendy later decide to move back in with her mother? How did being in the house with Georgann affect her?
Dr. Keylor gave Wendy a list of symptoms for a clinical diagnosis called “Cluster B,” which the therapist believed applied to Georgann. Why did having this information give Wendy a sense of relief and make her feel as if she has made an “amazing discovery” (pg.166)?
Re-read the scene on page 273 where Michael offered advice to Wendy using salt and peppershakers as props. How did he make her see her relationship with her mother in a different way?
Wendy’s high school drama teacher, Mr. Valentine, suggested she audition for university acting programs. Who else offered encouragement to her throughout the years? Why did Pop continue to provide some financial and emotional support to Wendy and Robin even after his divorce from Georgann?
Wendy’s college roommate, Julie, once asked if she had “ever tried just talking” to her mother. Before reading Chanel Bonfire, would you have been inclined to offer similar advice to someone in a situation like Wendy’s? How about after reading this book?
What is your opinion of Wendy as a narrator and how she tells her story? Why do you think she was able to stay grounded in the midst of such a chaotic and frightening upbringing?
Why did you choose Chanel Bonfire for your book club discussion? What are your overall thoughts about the book? How does it compare to other memoirs your group has read?