BIBLIOLEPSY
Moving, sexy, and archly funny, Gina Apostol’s Philippine National Book Award-winning Bibliolepsy is a love letter to the written word and a brilliantly unorthodox look at the rebellion that brought down a dictatorship
Gina Apostol’s debut novel, available for the first time in the US, tells of a young woman caught between a lifelong desire to escape into books and a real-world revolution.
It is the mid-eighties, two decades into the kleptocratic, brutal rule of Ferdinand Marcos. The Philippine economy is in deep recession, and civil unrest is growing by the day.
Moving, sexy, and archly funny, Gina Apostol’s Philippine National Book Award-winning Bibliolepsy is a love letter to the written word and a brilliantly unorthodox look at the rebellion that brought down a dictatorship
Gina Apostol’s debut novel, available for the first time in the US, tells of a young woman caught between a lifelong desire to escape into books and a real-world revolution.
It is the mid-eighties, two decades into the kleptocratic, brutal rule of Ferdinand Marcos. The Philippine economy is in deep recession, and civil unrest is growing by the day. But Primi Peregrino has her own priorities: tracking down books and pursuing romantic connections with their authors.
For Primi, the nascent revolution means that writers are gathering more often, and with greater urgency, so that every poetry reading she attends presents a veritable “Justice League” of authors for her to choose among. As the Marcos dictatorship stands poised to topple, Primi remains true to her fantasy: that she, “a vagabond from history, a runaway from time,” can be saved by sex, love, and books.
- Soho Press
- Hardcover
- January 2022
- 216 Pages
- 9781641292511
About Gina Apostol
Gina Apostol’s third book, Gun Dealers’ Daughter, won the 2013 PEN/Open Book Award and was shortlisted for the William Saroyan International Prize. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, both won the Juan Laya Prize for the Novel (Philippine National Book Award). She was writer-in-residence at Phillips Exeter Academy and a fellow at Civitella Ranieri in Umbria, Italy, among other fellowships. Her essays and stories have appeared in The New York Times, Los Angeles Review of Books, Foreign Policy, Gettysburg Review, Massachusetts Review, and others. She lives in New York City and western Massachusetts and grew up in Tacloban, Philippines. She teaches at the Fieldston School in New York City.
Praise
An ABA IndieNext Selection for January
Winner of the Philippine National Book Award
“For all those who’ve wondered if there exists a female Roberto Bolaño—lusty, word-drunk, and ferociously committed to her milieu—here’s Gina Apostol!”—Sandi Tan, Author of Lurkers
“Extraordinary . . . Apostol’s language is a constant delight, frank and full of felicitous turns of phrase and abundant humor. Layered and fully realized, it’s deserving of several readings.”—Publishers Weekly, Starred Review
“Full of little verbal surprises and humor . . . It’s fun to watch the author play with the contrast between her self-involved heroine, who frets that ‘the winds of change were making people sing folk songs that were driving me nuts, and the reality of radical political change.”—Kirkus Reviews
“Gina Apostol uses an array of literary and cinematic techniques: memoirs, jump cuts, close-ups, and reveries to set a story in Duterte’s Philippines that shows us that though victors often write histories, survivors and artists can revise them.”—NPR’s Weekend Edition
“Other people write tomes that would be better off as doorstops. In 160 pages, Gina Apostol serves up Manila in the eighties, swift, Swiftian, sexy, and sad.”—Danton Remoto, author of Riverrun: A Novel