“In the late winter of 2006, I returned to my home town and bought 612 acres of land on the far western edge of the county.” So begins, innocently enough, J. Robert Lennon’s gripping and brilliant new novel. Awkward, guarded, and more than a little adamant about his need for privacy, Eric Loesch sets about renovating a rundown old house in the small, upstate New York town where he spent his childhood. When he inspects the title to the property, however, he discovers that there is a plot of dense forest smack in the middle of his land that he does not own.
“In the late winter of 2006, I returned to my home town and bought 612 acres of land on the far western edge of the county.” So begins, innocently enough, J. Robert Lennon’s gripping and brilliant new novel. Awkward, guarded, and more than a little adamant about his need for privacy, Eric Loesch sets about renovating a rundown old house in the small, upstate New York town where he spent his childhood. When he inspects the title to the property, however, he discovers that there is a plot of dense forest smack in the middle of his land that he does not own. What’s more, the name of the person it belongs to is blacked out. Loesch sets out to explore the forbidding and almost impenetrable forest. But this peculiar adventure story has much to do with America’s current military misadventures—and Loesch’s secrets come to mirror the American psyche in a paranoid age. The answer to what—and who—might lie at the heart of Loesch’s property stands at the center of this daring and riveting novel from an author whose writing, according to Ann Patchett, “has enough electricity to light up the country.”
- Graywolf Press
- April 2010
- 240 Pages
“A masterpiece of mood.”—Boldtype
“[Lennon] methodically baits readers with mystery and the macabre until the hook is set and then yanks it back with a vengeance….Here, the surprising denouement packs a powerful and brutal punch.”—Publishers Weekly, starred
“A brilliant, classical, psychological horror story that sticks to and gnaws at the bones.”—Oregonian (Portland)
“Clever and insightful, [Castle] compels the reader to solve a series of riddles that reveal the emotional rationale underpinning our most despicable behavior.”—Dallas Morning News
Eric Loesch evades the questions he is asked by the Gerrysberg townspeople, and at times he even grows belligerent in response to their prodding. The reader does not initially know why he is keeping his distance from them or what he is being defensive about—what effect does this have on your perception of the protagonist?
How much do the townspeople know about Loesch, his family history, and his war experience? How does this information affect their behavior toward him, and what does their behavior suggest about the American public’s attitude toward its returning veterans?
Loesch is asked by three different characters—the real estate agent, his sister, and finally Professor Stiles – why he has returned to Gerrysburg before he poses the question himself toward the novel’s end. Do you believe Loesch when he claims that he “didn’t believe that [he’d] ever known” the reason he decided to return home?
For the first two-thirds of Castle, Loesch does not explain the significance of objects from his childhood or the landscape he once inhabited- the locomotive, the rock outcrop, the castle, and his toys – and yet he conveys to the reader his strong emotional responses to these things. When Loesch first finds the castle, he reports, “It was as though something hanging crookedly in my mind had finally been righted.” What does Loesch remember? Is this a case of repressed memory or something else?
J. Robert Lennon describes the woods as a place beset by a dark history, almost as though it were haunted. And then there is the mysterious castle at its center. Is this a realistic novel or an allegory? What is the castle’s metaphoric significance?
Discuss the relationship between young Loesch and Doctor Stiles. Why does Loesch turn away from his father and toward the strict disciplinarian Stiles?
Why does Loesch’s father seem intent on having his son “trained” by the professor? What does he feel is lacking in his son, and in the broader culture of that time?
Before ordering Loesch to torture a squirrel, Doctor Stiles tells the boy: “In what we think of as the civilized world—a world, I must inform you, Eric, that is soon to collapse into chaos and lawlessness—it is a virtue to do no harm. In the world to come, it will be a skill as valuable to you as the ability to start a fire, or build a shelter.” To what degree does the professor’s prophetic vision eventually become Loesch’s reality? What is the relationship between Loesch’s eager submission to authority and the likelihood of violence?
Loesch says, “I gazed out upon the busy lives of civilians, who had already grown weary of the war, which they thought they’d been permitted to forget, which was supposed to fade away into a memory of triumph.” Lennon seems to be making a point about the American public’s complicity in the violence of the Iraq War. Is it “forgetfulness” that allows the public to distance itself from the war, or something else?
As Loesch leaves for his next mission at the novel’s end, he says, “I took a last look around the house, pleased at the work I had done, pleased at everything I had learned since my return to Gerrysburg.” What has Loesch learned from his time in Gerrysburg?