One of our recommended books is Haven Point by Virginia Hume


A sweeping debut novel about the generations of a family that spends summers in a seaside enclave on Maine’s rocky coastline, for fans of Elin Hilderbrand, Beatriz Williams, and Sarah Blake.

1944: Maren Larsen is a blonde beauty from a small Minnesota farming town, determined to do her part to help the war effort––and to see the world beyond her family’s cornfields. As a cadet nurse at Walter Reed Medical Center, she’s swept off her feet by Dr. Oliver Demarest, a handsome Boston Brahmin whose family spends summers in an insular community on the rocky coast of Maine.

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A sweeping debut novel about the generations of a family that spends summers in a seaside enclave on Maine’s rocky coastline, for fans of Elin Hilderbrand, Beatriz Williams, and Sarah Blake.

1944: Maren Larsen is a blonde beauty from a small Minnesota farming town, determined to do her part to help the war effort––and to see the world beyond her family’s cornfields. As a cadet nurse at Walter Reed Medical Center, she’s swept off her feet by Dr. Oliver Demarest, a handsome Boston Brahmin whose family spends summers in an insular community on the rocky coast of Maine.

1970: As the nation grapples with the ongoing conflict in Vietnam, Oliver and Maren are grappling with their fiercely independent seventeen-year-old daughter, Annie, who has fallen for a young man they don’t approve of. Before the summer is over a terrible tragedy will strike the Demarests––and in the aftermath, Annie vows never to return to Haven Point.

2008: Annie’s daughter, Skye, has arrived in Maine to help scatter her mother’s ashes. Maren knows that her granddaughter inherited Annie’s view of Haven Point: despite the wild beauty and quaint customs, the regattas and clambakes and sing-alongs, she finds the place––and the people––snobbish and petty. But Maren also knows that Annie never told Skye the whole truth about what happened during that fateful summer.

Over seven decades of a changing America, through wars and storms, betrayals and reconciliations, Virginia Hume’s Haven Point explores what it means to belong to a place, and to a family, which holds as tightly to its traditions as it does its secrets.

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  • St. Martin's Griffin
  • Paperback
  • July 2022
  • 400 Pages
  • 9781250266545

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About Virginia Hume

Virginia Hume is the author of Haven PointVirginia Hume is a freelance writer and editor. Her early career was spent in politics and affairs. She lives outside Washington, D.C. with her husband, their daughters, and an under-groomed bichon named Chester.

Author Website



“The book equivalent of a beach getaway.” —PopSugar

“A stunning debut.”BookRiot

“Fans of Elin Hilderbrand and Beatriz Williams will appreciate this sweeping, multigenerational family story.” Booklist

“Unfolding from WWII to the present day, this delicious, intricate novel is woven together with romance, tragedy, family secrets and breath-taking surprises.” Nancy Thayer, New York Times bestselling author of Girls of Summer

Haven Point checks all the boxes for a great summer read: generations of strong women, an idyllic but insular coastal town, and an emotionally-rich story that explores the peaks and valleys of life in all its complicated glory.” Jamie Brenner, nationally bestselling author of The Forever Summer

“A powerful novel of families trying to understand the forces that shape them just as the ocean shapes the elegant coastline they’re summering on.” Brooke Lea Foster, author of Summer Darlings

“Rewarding and atmospheric, with deeply drawn characters and a setting you won’t soon forget. Delicious!” —Jennie Fields, author of Atomic Love

Discussion Questions

1. How did the opening scene of the novel make you feel? How did it set the tone for the rest of the novel and your reading experience?

2. Discuss the narrative structure of the novel. Did you enjoy the multiple time frames and alternating perspectives? Was there one in particular that you connected with the most?

3. Narrative identities are the evolving stories that individuals and communities construct, often unconsciously, in order to make sense of themselves and the world. What is Haven Point’s narrative identity?  How does it differ from how Maren, Anne, and Skye Demarest view the community?

4. How does narrative identity connect with the lesson that Anne Demarest taught her students, that “everything depends on the quality and direction of light”? (prologue) Did Anne Demarest apply that lesson to her own life?

5. How was Skye’s narrative identity influenced by her mother?  How was her identity, and her view of others, affected by shame?  What was the source of this shame?

6. As a teenager, Skye, with the help of Adriene, learned to tease out the humor in her unconventional life in an effort to, as she put it, “control what people saw—to decide when the cameras rolled, when the laugh track came on.” (chapter 21). She’d initially seen herself as “broken and dissembling.” (chapter 31) Ultimately, however, she adopts a more loving perspective of herself and her life.  How much choice do we, or can we, have over our perceptions of our lives?  Do you agree with Skye’s hindsight revision?

7. Discuss the perils of unprocessed grief. How does this come to play in the novel?

8. In the wake of Charlie’s death, Maren says of the people of Haven Point that “to ask what they needed was to burden, so no one asked. They divined.” (chapter 28) Why might it be a burden to ask? How is it a service to “divine”?

9. Consider whether or not you believe it takes courage to be an artist, or to pursue a creative life. What do you think held Skye back from becoming a writer?

10. Discuss the importance of forgiveness. How does it come into play throughout the novel? What are some specific circumstances where forgiveness comes into play?

11. What did Maren mean when she said about her relationship with Oliver, “She needed time to consider whether all these years what she’d thought was her armor had actually been a weapon”?  (chapter 18) What role did this epiphany play in the healing of Maren and Oliver’s relationship?  What importance does the ability to balance vulnerability and self-protection play in all relationships, both romantic and platonic?

12. Many different types of female friendships and relationships are portrayed throughout the novel. What makes Skye and Adriene’s friendship work so well? How is Maren’s friendship with Dorothy different from her friendship with Georgie? What role do adversaries (e.g., Gretchen Hathaway, Caroline Sturgeon, Harriet Hyde Barrows) play in the novel? What role do they play in our own lives?

13. How do Haven Point’s geography, topography, and weather play a role in the novel, both symbolically and in driving the narrative?

14. Discuss the use of birds as a motif throughout the novel. For instance, adult Anne is fond of birds–feeding, photographing, and painting them. What are some other ways that birds show up throughout the novel? What are some other motifs or themes that you noticed while reading?

15. Discuss the climax and ending of the novel. What moments or lines in the text stood out to you? Do you think Haven Point will change and evolve? What role do you imagine Haven Point playing in Skye’s future?



August 1994, Washington, D.C.



Skye Demarest had ten minutes to decide whether to lie to her best friend.

Skye didn’t like to lie, but if the choice was between honest and normal, she was obviously going to pick normal every time. As far as she was concerned, that was just survival.

The trick was knowing what qualified as normal. In Skye’s experience, the definition was pretty slippery.

When she was little it was so much easier. Back then, Skye didn’t have to lie, because she thought she was just like every other kid. That lasted until the summer after first grade, when Gretchen Hathaway clued her in.

Skye and Gretchen were both attending the little day camp at the community center. One day, Gran showed up at the edge of the playground and called Skye over.

“Hi, love. Your mom needs to go away for a bit, so I’m taking you up to Haven Point with me this afternoon. I’ve let the camp director know.”

Skye had looked away and tried not to cry.

“You need to get your things,” Gran said kindly. “I’ve packed your suitcase already.”

Gretchen had followed Skye into the building. (She told the counselor she was going to help her friend, but she just stood there and watched as Skye shoved things into her backpack.)

“Where are you going?” Gretchen asked.

“Up to Maine with my grandmother,” Skye said.

“Why do you have to go all of a sudden?”

She felt a nervous bubble in her stomach. This was not the first time Gran had showed up out of the blue and taken Skye somewhere. She just hadn’t thought to question it before. When she saw the this is weird look on Gretchen’s face, though, it hit her: It was weird. Normal people know about vacations ahead of time! They talk about them and make plans!

The honest answer to Gretchen’s question was “I don’t know,” but some voice inside told her that the reason, whatever it was, needed to stay a secret.

It was amazing, how easily the lie slid out of her mouth. Unfortunately, it wasn’t a very good one.

“My mom is sick. Gran is taking me so she can get better.”

“What’s she sick with?”

Skye scrambled to come up with something bad, but not too bad.

“She has to get her tonsils out.”

Gretchen was an absolute pro at using her face to make people feel inferior. All she had to do was tuck her chin and scrunch her eyebrows, and I think you’re weird turned into I think you’re lying.

It got worse when Skye came home from Maine and ran into Gretchen and Emily Walker at the park. (Emily was like a little trained poodle who followed Gretchen everywhere and obeyed all her orders).

“While you were gone, my mom brought a casserole to your house,” Gretchen said accusingly. “She said your mother wasn’t even home.”

Skye felt her face get red. It wouldn’t have been as bad coming from anyone else, but Skye worshiped Gretchen’s mom. Mrs. Hathaway was the room mother and the Brownie troop leader. She had pretty brown hair, perfect clothes, and bubbly excitement about whatever her kids were doing.

Skye fantasized about her all the time. She’d imagine herself on a chilly night, curled up on the Hathaways’ front stoop. Mrs. Hathaway would open the door and find her there.

“Oh no. Oh, my dear Skye!” she would say, her eyes filled with worry, as she scooped Skye up and brought her inside. (Skye always pictured herself really quiet and stoic throughout the ordeal, so while Mrs. Hathaway was obviously deeply concerned, she also admired Skye for being so calm and brave.)

Skye never mentally sketched out why she was on the Hathaways’ doorstep. She didn’t want to imagine her mother dead (or to even make her the bad guy), so she just left her out entirely. She wrote the rest of the Hathaway family out, too, while she was at it. She barely knew Mr. Hathaway, and it totally broke the spell to imagine Gretchen or her little brother there.

Despite the unsatisfying holes in the story, it had been Skye’s favorite fantasy. When things were bad at home and she couldn’t sleep, she’d replay it over and over in her mind until she felt calmer.

Skye was so humiliated by the idea that Mrs. Hathaway knew she lied about her mom’s tonsils (or, worse, that things at Skye’s house were “not normal”), she could barely speak. She mumbled something about her mom staying with a friend then walked away, cheeks still burning, while Gretchen and Emily whispered about her.

Of course, Skye’s lesson from the experience was not that she should tell the truth. She just needed to get better at lying. That was one good thing about constantly changing schools. Just when she felt like a lie was about to catch up with her, her mom would get a new teaching job at another nearby private school. Since Skye’s tuition was always part of the bargain, she had to go with her. New school, new and improved lies!

She still had close calls, like two years earlier in sixth grade when Max Zilkoski asked who her dad was. Skye gave him her usual answer.

“He died in the war,” she said, then looked down sadly. (Until third grade, she’d just said “He died,” but kids started asking “How?” so she’d added the war part.) The sad look was key, because it made people uncomfortable, and they stopped asking questions. Unfortunately, Max was book smart but people dumb, so he missed his cue.

“Which war?”

Skye froze. Her many schools with different history curriculums had given her an encyclopedic knowledge of the Revolutionary War and Civil War (and, weirdly, the Peloponnesian War). However, in a panicky search through her brain for some war that had happened since she was born, she found a gaping hole where twentieth-century military history should be.

“The Cold War,” Skye replied, finally. She tried to sound certain, though she had a sneaking suspicion the answer wasn’t quite right, and Max’s confused expression was not comforting. But then he suddenly got excited.

“Wait, was he a spy?”

Once again, Skye was dumbstruck. Fortunately, at this point Max’s social cluelessness came in handy. He assumed the answer was classified.

“I get it. You can’t talk about it.” He nodded knowingly.

The next month, Skye’s mom announced she’d accepted a job teaching art at some hippy-dippy school in Maryland. Skye was a little bummed, since she had just started making friends, but at least she could quit worrying about whether Max Zilkoski could keep a state secret.

Now, once again, she was being whisked off to Haven Point. The situation wasn’t exactly the same as that time with Gretchen, though. First, Skye didn’t know what was going on back then. Now she did. In fact, she knew it so well, she’d been able to hide it.

Skye’s grandfather had died in May, just six weeks after being diagnosed with pancreatic cancer. Gran had kept a close eye on her mom after that, looking for any hint a relapse was coming. Instead of leaving for Maine over Memorial Day weekend, like she usually did, she stayed in her apartment, just a mile from Skye and her mom. If Skye’s mom had gone off the rails then, Gran would have figured it out first, like she always had.

Skye also knew the signs that Anne was about to start drinking again, but it wasn’t until Gran left for Haven Point in early July that she began to spot them. At first it was just exaggerated versions of her normal behavior: staying up later at night, hanging out with sketchier friends, acting more irritable than usual.

The sure sign was when she stopped feeding the birds.

Keeping seed in the bird feeder was the one household task her mom normally stayed on top of (at least partly because it didn’t have to be done at an exact time—“lunch at noon” was way too specific, but “birdseed low” she could handle).

Resisting the temptation to fill it herself, Skye watched the bird feeder as if it were a countdown clock. The seed level got lower and lower, and sure enough, soon after it was empty, bottles started appearing in the trash outside.

Skye knew she should tell Gran her mom was drinking, but she also knew if she did, Gran would take her up to Haven Point, which would blow up all of her plans with Adriene for the rest of the summer. So, she kept it a secret. If the phone rang when her mom was drinking, Skye would race to get it. If it was Gran, she’d say her mom was out with one of her non-sketchy friends, or doing some other Sober Mom–sounding thing.

Skye was used to doing everything herself anyway, so it worked out fine. Well, until Gran called the night before, while Skye was out. First thing in the morning, Gran had showed up at the house and gone straight to her mom’s room. She came out a half hour later and found Skye in the living room.

“Skye, your mom needs help, as I suspect you know. I’m taking you to Maine tomorrow morning. I need a few hours here, though. Can you go somewhere for a bit?”

Skye felt a little guilty, seeing how tired Gran looked, but she steeled herself with the reminder that this was just what she’d been trying to avoid. She rose from the love seat and marched to the front door.

“I’m going to Adriene’s,” she’d said, slamming the door shut behind her.

Now, as Skye headed through the swampy heat to her friend’s house, she considered the other big difference between this situation and the one years before: Adriene was nothing like Gretchen. Skye had known that since they first met, the summer before.

Skye had been at the pool when a girl about her age walked up and asked if the lounge chair next to her was taken.

“I don’t think so,” Skye said.

Skye, who had to sit under an umbrella, because her skin would fry in about five minutes otherwise, watched with envy as the olive-complexioned girl angled her chair to face the sun. Once she was situated, she turned to Skye.

“I’m Adriene, by the way. My family just moved into the neighborhood.”

“Nice to meet you. I’m Skye.”

Before they could say anything else, a little girl appeared. She wore a shiny purple bathing suit and huge mirrored sunglasses. She looked like a mini-Adriene—with the same complexion, and thick, almost blue-black hair.

“What do you want, Sophia?” Adriene asked.

“Natalie says she gets to name the baby turtle.”

“So, let her,” Adriene replied.

“But I want to name it!”

“Oh my God, Sophia,” Adriene said wearily. “Go back to the baby pool. Seriously.”

“Okay, but I’m telling Natalie you said I could pick the name!”

“Fine.” Adriene sighed. Sophia turned on her heels and marched back to the baby pool.

“Sorry. My sister’s a lunatic,” Adriene said.

“Who’s Natalie?” Skye asked.

“Sophia’s imaginary enemy.”

“She has an imaginary enemy?” Skye laughed.

“Yeah. Natalie’s supposedly really mean, but I hear how Sophia talks to her. I can’t blame her.”

“And the baby turtle?”

“Also imaginary.”

Over the next half hour or so, Skye picked up some key facts. Adriene Maduros was one of six kids. Her family had moved into D.C. from Rockville, Maryland. She went to a school way out in Virginia (“super-strict Catholic, the closest my parents could find to Greek Orthodox”) that sounded like the complete opposite of Skye’s. It left them in the same position, though: open to friends outside of school.

When Skye spotted Gretchen Hathaway at the sign-in desk, her heart had sunk.

That’ll be the end of that, she thought.

As usual, Gretchen looked like she’d jumped off the set of Beverly Hills, 90210, with her wispy blond bangs and her white denim overall shorts (one side of the bib unbuckled, obviously).

Skye had left public school in second grade, when her mom got her first teaching job. Eventually, most of the neighborhood girls also scattered to various private schools, but the posse got together over holidays and in the summer, and Gretchen was still totally in charge.

Adriene didn’t strike Skye as Gretchen’s type. For one thing, Adriene seemed like she could actually have a conversation, without constantly scanning her surroundings for people she might need to impress (or gossip about).

Skye had years of experience watching what happened when Gretchen was around, though. Even the most normal-seeming girls would start auditioning for an ensemble role in The Gretchen Show.

Copyright © 2021 by Virginia Hume