One of our recommended books is The Quiet and the Loud by Helena Fox

THE QUIET AND THE LOUD


A heartbreaking, hopeful, and timely novel about holding too tight to family secrets, healing from trauma, and falling in love, from the award-winning author of How It Feels to Float

George’s life is loud. On the water, though, with everything hushed above and below, she is steady, silent. Then her estranged dad says he needs to talk, and George’s past begins to wake up, looping around her ankles, trying to drag her under.

But there’s no time to sink. George’s best friend, Tess, is about to become, officially, a teen mom, her friend Laz is in despair about the climate crisis,

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A heartbreaking, hopeful, and timely novel about holding too tight to family secrets, healing from trauma, and falling in love, from the award-winning author of How It Feels to Float

George’s life is loud. On the water, though, with everything hushed above and below, she is steady, silent. Then her estranged dad says he needs to talk, and George’s past begins to wake up, looping around her ankles, trying to drag her under.

But there’s no time to sink. George’s best friend, Tess, is about to become, officially, a teen mom, her friend Laz is in despair about the climate crisis, her gramps would literally misplace his teeth if not for her, and her moms fill the house with fuss and chatter. Before long, heat and smoke join the noise as dis­tant wildfires begin to burn.

George tries to stay steady. When her father tells her his news and the painful memo­ries roar back to life, George turns to Calliope, the girl who has just cartwheeled into her world and shot it through with colors. And it’s here George would stay—quiet and safe—if she could. But then Tess has her baby, and the earth burns hotter, and the past just will not stay put.

A novel about the contours of friendship, family, forgiveness, trauma, and love, and about our hopeless, hopeful world, Helena Fox’s gorgeous follow-up to How It Feels to Float explores the stories we suppress and the stories we speak—and the healing that comes when we voice the things we’ve kept quiet for so long.

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  • Dial Books
  • Hardcover
  • March 2023
  • 400 Pages
  • 9780593354582

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$19.99

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About Helena Fox

Helena Fox is the author of The Quiet and the Loud

Helena Fox lives by the sea in Wollongong, Australia, where she runs creative writing workshops for young people. She’s a graduate of the MFA Program for Writers at Warren Wilson College in North Carolina. Helena has traveled and lived all around the world, but of all her adventures, working with young ypeople and helping them find and express their voice has brought her the greatest joy. How It Feels to Float is her debut novel.

 

Praise

The characters in Georgia’s life are numerous and zany and wonderfully frustrating with their passions, anxieties, and idiosyncrasies. They shape the heart of this swiftly moving story that doesn’t shy away from the disasters and pleasures, great and small, that come with living. . . As deeply enjoyable as it is reflective on childhood trauma and growing up, with sweet and yet emotionally mature romantic, platonic, and familial relationships, this book is a sure treat.” BCCB

“Lyrical and evocative . . . Vivid . . . Laced throughout [are] engaging descriptions of Georgia’s burgeoning romance.” Kirkus

“Powerful, heart-tugging . . . Exquisitely encapsulates the complexity [of feeling, and] the breathtaking relief of seeking help and learning that the support of others makes you stronger, never weaker. . . . Perfect for fans of Kathleen Glasgow.” Books+Publishing

“A sensitive portrayal of complex PTSD. Flashbacks and lyrical descriptions of George’s art add further dimension.” Booklist

“Heartbreaking yet uplifting and hopeful . . . with complex characters that weave their way into your heart. [Helena] Fox gives us yet another beautiful novel that we highly recommend for those who want to steep in the intricacies of life and advocating for yourself.” —EveryQueer.com

Excerpt

summer, nine

When I was small, almost ten years old, I rowed out with my father to the middle of a lake. It was after midnight—owls prowled, lizards hid, and Mum lay sleeping in the tent beside the water.

We’d arrived at the lake in late afternoon, unpacked the car, and set up camp—a big tent for Mum and Dad, a small one of my very own, for me. Mum banged in pegs with a hammer. Dad fluffed around with the fly and guy ropes, swearing. The lake lap-lapped. I clambered over the shoreline, found flat rocks, and skipped them.

At dusk, we three stood at the water’s edge. I held Mum’s hand and we looked out at the lake, the mist, the quiet, fading light. Birds squabbled and settled. The dark dropped in.

Then Mum cooked sausages on the fire while Dad blew up our inflatable dinghy with a foot pump. After dinner, we turned marshmallows on our sticks, watching the skin bubble and blacken. The flames crackled and licked. I crawled into them, listening for stories.

Mum drank her tea. Dad pulled out a beer, hissed the can open. Took a long draw. Mum touched my leg, stirring me. “Time for bed,” she said.

I brushed my teeth with bottled water and spat paste onto the dirt. I kissed Mum and Dad good night, crept into my tent, snugged into my sleeping bag, and went to sleep.

Dad woke me with a shake.

“Georgia!” he whispered. “Let’s go have an adventure!”

I could see his glassy eyes, his toothy grin in the dark. I stared at him, confused. I’d been dreaming of apples, of underwater trees? I glanced left, at the canvas wall—just a few steps away was Mum.

“Don’t wake her,” Dad said. “Come on!”

There was something in his voice, something sparking.Say yes, the spark said. Dad’s eyes glittered.

I sat up, shivered out of my bag, and scooted out of the tent. Dad handed me a jacket. We tiptoed like burglars over to where the boat waited. We lifted the dinghy, laid it onto the water, and clambered in.

Then Dad pushed us out into the nothing.

The lake was inky. Gum trees ghosted the shore. The moon ticked across the sky, and the stars blazed.

I looked up. I felt wrapped in it, inside the immensity, the space and silence all around. But I didn’t have the word for that then—immensity—so I said, “It’s really pretty.”

Dad beamed. “Isn’t it just?” he said.

He rowed us until we were nowhere and everywhere. I dipped my hand into the water, scooped and trickled moonlit drops through my fingers. Dad did too. He rested the oars, leaned over the dinghy side, and looked into the lake. He looked into it so long, maybe the sky fell into the lake and the lake fell into the sky, because then Dad looked like he wanted the lake to eat him up.

He said, “Hey, buddy, you can row back, can’t you? Just head for those trees.” And with a plop and a splash, he hopped into the water and swam away.

Oh.

Dad hadn’t surprised me like this in a while. It had been months of a sort-of calm, a sort-of easy, a sort-of happy. I’d seen Mum kissing Dad in the kitchen and smiling into his eyes, and it had been a long time since she’d done that.

But all of Dad was gone now.

I could hear him splish-sploshing through the water. I grabbed the oars and tried to follow the sound. The oars knocked my knees, and I lost one. Then I called and called over the solid lump of lake, but the lake didn’t answer and neither did Dad.
I tried to row back with one oar. I slipped in dizzy circles and all I could hear then was the oar clunking at the lake like a spoon on an empty bowl:scrape, scrape, scrape.

I slumped against the boat side. I would die out here, I knew it. Dad had already drowned. He must have. Lakes could swallow you whole, skies too.

I huddled, knees to chin, and cried with the mucky hopelessness of going in circles and waiting to drown, cried over the water and up. My tears clanged the branches of the sorrowful trees and hissed at the stars.

When I took a breath, I could hear I wasn’t alone.

Mum stood, shouting and screaming, from the shore.