THE YEAR WE LEFT HOME
Named a New York Times Editors’ Choice, a People magazine “Pick of the Week,” and an Indie Next and Midwest Connections selection, The Year We Left Home is the career-defining novel that Jean Thompson’s admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century.
Stretching from the early 1970s in the Iowa farmlands to suburban Chicago and across the map of contemporary America, The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak,
Named a New York Times Editors’ Choice, a People magazine “Pick of the Week,” and an Indie Next and Midwest Connections selection, The Year We Left Home is the career-defining novel that Jean Thompson’s admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century.
Stretching from the early 1970s in the Iowa farmlands to suburban Chicago and across the map of contemporary America, The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious and richly told, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.
- Simon & Schuster
- Paperback
- February 2012
- 336 Pages
- 9781439175903
Buy the Book
$15.00
About Jean Thompson
Jean Thompson is the author of Who Do You Love: Stories, a 1999 National Book Award finalist for fiction, and the novels City Boy and Wide Blue Yonder, a New York Times Notable Book and Chicago Tribune Best Fiction selection. She lives in Urbana, Illinois.
Praise
“Dazzling . . . Unforgettable . . . A masterful wide-angle portrait of an Iowa family over three decades. . . . Thompson’s ability to put these characters empathically on the page, in their special setting, over an extended period of years, with just the right dose of dark humor, rivals Richard Russo’s. . . . The novel is a powerful reflection on middle American life—on the changes wrought by the passing years and the values that endure.”—Kirkus Reviews
“Powerful and darkly humorous…Thompson’s characters are sharply drawn and deeply familiar. Her dialogue is pitch-perfect.”—Laurie Hertzel, Minneapolis Star Tribune
“[A] rich, detailed, resonant, emotionally spot-on novel . . . Thompson has a light, exquisite touch. The Year We Left Home feels weightless as a result. By the end of the novel, the reader knows more about the Ericksons than even the Ericksons. The effect is enormously satisfying, allowing the reader not only to connect the dots but to fill in the blanks the author shrewdly leaves wide open.”—Bill Eichenberger, Pittsburgh Post-Gazette
“Bleak, wry, and tender . . . Syntax and sense are so perfectly melded, the reader steps through the looking glass and lives in the world the words conjure. . . . Such is Thompson’s artistry that moments of everyday sorrow and nobility made me weep.”—John Repp, Cleveland Plain Dealer
Discussion Questions
Early on in the novel, Ryan muses “what really counted was the life you made for yourself, and the person you decided to be.” (p. 11) Does this prove to be true? How does this play out in his life, and in the lives of his family members? How does this concept change for him?
“Something in him always stood apart, and he was not who people assumed was.” (p. 27) How is this true for Ryan throughout the novel? How do the characters define themselves, and each other?
Which narrator did you like best: Anita, Ryan, Chip, Torrie, Audrey, Matthew, or Blake? Why do you think Thompson chose to have Ryan narrate the majority of the sections? Was there someone you wanted to hear more from?
Anita feels that she and her mother are always on the verge of a conversation: “Is this what it means to be a wife, a mother, a woman? Is it what you expected? Should I have gone about it differently?” (p. 105) Why don’t they ever actually have that conversation? How might things be different for them, and other women in the novel, if they discussed such things with each other?
Why do you think Megan ruins Ryan’s career with her essay? Is she crazy, or clever? Hurt, or just trying to stand out?
Why does Anita go to the Goodells’ auction and give her relatives five thousand dollars? Does she feel responsible because her husband is a banker? Talk about Anita’s concept of family and loyalty.
Martha’s words at Anita’s wedding startle Ryan: “You never can tell, looking at it from the outside. How miserable people can be in a marriage.” (p. 14) How are her words prophetic? Do you think she was referring to her own marriage, which seemed so happy?
Discuss the many different ideas of marriage in the novel. Why does Anita marry Jeff (p. 183), and why does she stay with him? Why does Ryan get married (p. 221), and then have affairs that lead to divorce? What about Blake, whose wife everyone seems to look down on?
Ryan thinks to himself, “You decided that your life would go in a certain direction, and maybe it did. Or maybe you were kidding yourself, and the world was mostly a matter of being in the right or wrong place at the right or wrong time.” (p. 221) Do you agree? How much of Ryan’s life is shaped by his choices, and how much does he simply allow to happen to him?
The author states: “Everybody in America is one of two things, either in or out.” (p. 288) How does this theme of insider and outsider play throughout the novel?
Why does Anita bring in Rhonda to live with her family? How is it true that sometimes a family needs an orphan?
For a while, Anita seems to be drifting through the duties of a wife and mother. What spurs her to take classes to become a realtor and get involved with Alcoholics Anonymous? Did Jeff’s descent into alcoholism empower her to take charge of her life, or do you think she would have done so regardless?
Throughout the novel, Chip is consistently an outsider who never seems to have much going for him. However, he often provides poignant insights to Ryan and others, and doesn’t seem to experience the lack of fulfillment that plagues many other characters. Why do you think this is?
Why do you think Ryan and Chip remain close throughout the years? Is Ryan more like Chip than he might want to admit? How so?
Why does Ryan buy the Peerson house?
Referring to the Peersons, Blake remarks, “They didn’t think in terms of happy.” (p. 409) Do you agree that the older generations were more content with what they had, and less concerned with searching for happiness elsewhere? Discuss the characters’ conceptions of happiness, and whether or not they are able to find it. What constitutes true happiness?
Discuss the title of the novel. Why do you think Thompson chose this title? How does it capture the spirit of the novel?