A POSSIBLE LIFE

A Novel in Five Parts

Sebastian Faulks

From the critically acclaimed, bestselling author of Birdsong, new fiction about love and war—five transporting stories and five unforgettable lives, linked across centuries.

In Second World War Poland, a young prisoner closes his eyes and pictures going to bat on a sunlit English cricket ground.

Across the yard of a Victorian poorhouse, a man is too ashamed to acknowledge the son he gave away.

In a 19th-century French village, an old servant understands—suddenly and with awe—the meaning of the Bible story her master is reading to her.

On a summer evening in the Catskills in 1971,

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From the critically acclaimed, bestselling author of Birdsong, new fiction about love and war—five transporting stories and five unforgettable lives, linked across centuries.

In Second World War Poland, a young prisoner closes his eyes and pictures going to bat on a sunlit English cricket ground.

Across the yard of a Victorian poorhouse, a man is too ashamed to acknowledge the son he gave away.

In a 19th-century French village, an old servant understands—suddenly and with awe—the meaning of the Bible story her master is reading to her.

On a summer evening in the Catskills in 1971, a skinny girl steps out of a Chevy with a guitar and with a song that will send shivers through her listeners’ skulls.

A few years from now, in Italy, a gifted scientist discovers links between time and the human brain and between her lover’s novel and his life.

Throughout the five masterpieces of fiction that make up A Possible Life, exquisitely drawn and unforgettable characters risk their bodies, hearts and minds in pursuit of the manna of human connection. Between soldier and lover, parent and child, servant and master, and artist and muse, important pleasures and pains are born of love, separations and missed opportunities. These interactions—whether successful or not—also affect the long trajectories of characters’ lives.

Provocative and profound, Sebastian Faulks’s dazzling new novel journeys across continents and centuries not only to entertain with superb old-fashioned storytelling but to show that occasions of understanding between humans are the one thing that defines us—and that those moments, however fluid, are the one thing that endures.

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  • Henry Holt and Co.
  • Hardcover
  • December 2012
  • 304 Pages
  • 9780805097306

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$25.00

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About Sebastian Faulks

Sebastian Faulks is the author of  ten novels. They include the UK number one bestseller A Week in December; Human Traces; On Green Dolphin Street; Charlotte Gray, which was made into a film starring Cate Blanchett; and the classic Birdsong, which has sold more than three million copies and was recently adapted for television. In 2008, he was invited to write a James Bond novel, Devil May Care, to mark the centenary of Ian Fleming. In between books he wrote and presented the four-part television series Faulks on Fiction for the BBC. He lives in London with his wife and their three children.

Praise

"In this masterful book, Faulks links the stories of five disparate lives into a long meditation on the intersection of fate and free will. Five discrete novellas range from 1800s France to Italy in 2029, examining how choices, impulses, and luck (both good and bad) shape lives. . . .What Faulks (Birdsong) risks sound twee and clever, and not unlike what David Mitchell did in Cloud Atlas, but this book transcends pat tropes through the beauty and clarity of Faulks’s prose. Each world is drawn with precision, creating widely varied stories that are intensely absorbing . . .a contemplation of human existence on the individual level. Highly recommended."—Publisher’s Weekly (starred review)

"Delicately crafted."Kirkus Reviews

"A tightly written, moving and exciting work of fiction that should thrill established readers as well as win new fans. If you think you know Faulks – or even (and especially) if you haven’t enjoyed his previous novels – it’s time to look again. "Anthony Cummins, The Telegraph, UK

"Sebastian Faulks’s fine new novel does not, at first glance, look like a novel at all – more like a gathering of stories, each one yielding a new character. Only gradually do we realize how these many voices, so far apart in time and place, fuse together and overlap, like songs on an album, to form a stirring and delicate whole. One of them speaks of merging ‘the flame and the facts’, our ardent yearnings with the hard detail of ordinary life. In Faulks’s masterful hands, fact and flame become one."Anthony Lane, author of Nobody’s Perfect: Writings from The New Yorker