THE JANE AUSTEN SOCIETY
Just after the Second World War, in the small English village of Chawton, an unusual but like-minded group of people band together to attempt something remarkable.
One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England’s finest novelists. Now it’s home to a few distant relatives and their diminishing estate. With the last bit of Austen’s legacy threatened, a group of disparate individuals come together to preserve both Jane Austen’s home and her legacy. These people—a laborer, a young widow, the local doctor,
Just after the Second World War, in the small English village of Chawton, an unusual but like-minded group of people band together to attempt something remarkable.
One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England’s finest novelists. Now it’s home to a few distant relatives and their diminishing estate. With the last bit of Austen’s legacy threatened, a group of disparate individuals come together to preserve both Jane Austen’s home and her legacy. These people—a laborer, a young widow, the local doctor, and a movie star, among others—could not be more different and yet they are united in their love for the works and words of Austen. As each of them endures their own quiet struggle with loss and trauma, some from the recent war, others from more distant tragedies, they rally together to create the Jane Austen Society.
A powerful and moving novel that explores the tragedies and triumphs of life, both large and small, and the universal humanity in us all, Natalie Jenner’s The Jane Austen Society is destined to resonate with readers for years to come.
Read our interview with the author on the Reading Group Choices blog!
- St. Martin's Griffin
- July 2021
- 336 Pages
“This novel delivers sweet, smart escapism.” —People
“Fans of The Chilbury Ladies’ Choir and The Guernsey Literary and Potato Peel Pie Society will adore The Jane Austen Society… A charming and memorable debut, which reminds us of the universal language of literature and the power of books to unite and heal” —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris
“Just like a story written by Austen herself, Jenner’s first novel is brimming with charming moments, endearing characters, and nuanced relationships…Readers won’t need previous knowledge of Austen and her novels to enjoy this tale’s slow revealing of secrets that build to a satisfying and dramatic ending.” —Booklist (starred review)
“Readers who enjoy character-driven novels will want to read this book. Like Mary Ann Shaffer and Annie Barrows’s The Guernsey Literary and Potato Peel Pie Society, it’s a must-purchase for libraries of all sizes.” —Library Journal (starred review)
“Delightful… Jenner’s immersive character development is juxtaposed against her study of Austen’s characters, providing clever insight into how the trials of Austen’s life were revealed through her books.” —Publishers Weekly
“Few things draw disparate people together so quickly as discovering they love the same writers. Few writers cement such friendships as deeply as Austen does. I believe that the readers of Jenner’s book will fall in love with the readers inside Jenner’s book, all of us thinking and dreaming of Austen the whole while. What could be better? Nothing, that’s what! A wonderful book, a wonderful read.” —Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club
“I can’t remember the last time I was so utterly charmed by a novel as I am with The Jane Austen Society. Natalie Jenner creates a world populated with characters who come together to preserve Jane Austen’s home in the village of Chawton after WWII. And in so doing she explores love and grief and hope, all while plunging us headfirst into Austen’s words. A celebration of the human spirit and the power of stories, I just love this book!” —Ann Hood, New York Times bestselling author of Comfort and The Obituary Writer
“Natalie Jenner’s lovely debut novel, The Jane Austen Society, is a charming, yet bittersweet tale about the power of literature — the beloved Jane Austen in particular — to heal and elevate the human spirit in the aftermath of World War II.” —Marie Benedict, New York Times bestselling author of The Only Woman in the Room
1. There is a wide range of major characters in The Jane Austen Society. Which of the eight main characters was your favorite? Which of their personal stories did you find the most satisfying? Which one do you most identify with and why?
2. Jane Austen’s writing – and the characters’ love of her writing – is what brings them together. If you are a fan of Jane Austen, what is your favorite book and why? If not, then which of her books are you now most interested in reading?
3. Several of the characters are living with – and, to differing extents, dealing with – the grief of losing a close loved one. Did you find yourself sympathizing with one of them more than the others? What about their story touched you the most?
4. Most of The Jane Austen Society takes place in the 1940s, right after World War II. Given that it was a very different time, with very different attitudes, what aspect revealed in the novel seemed the most familiar to your experience? What seemed the most changed since that time?
5. Mimi Harrison is in sharp contrast to the rest of the characters – she’s from the U.S., she’s a movie star, she has wealth far beyond the rest of the characters. Beyond their shared love of Jane Austen’s work, what traits do you think she has most in common with the rest of the characters? Which other character does she best complement?
6. Adam Berwick has to make an important decision – one that will not only affect the Society but his family as well. Do you think he made the right decision? Why?
7. What surprised you the most about the book? Were there any plot developments you did not expect?
8. There are many obvious and more subtle allusions to Austen’s own plots and characters throughout the book. If you’re familiar with Austen, which parallels did you particularly notice? Which ones most delighted you?
9. What expectations did you have of this book entitled The Jane Austen Society? What plotlines surprised you? Which ones developed in the way you expected?
10. What do you imagine happened to the Society and to the members after the end of the book?
He lay back on the low stone wall, knees pulled up, and stretched out his spine against the rock. The birdsong pierced the early-morning air in little shrieks that hammered at his very skull. Lying there, still, face turned flat upwards to the sky, he could feel death all around him in the small church graveyard. He must have looked like an effigy himself, resting on top of the wall, as if carved into permanent silence, abreast a silent tomb. He had never left his small village to see the great cathedrals of his country, but he knew from books how the sculpted ancient rulers lay just like this, atop their elevated shrines, for lower men like himself to gaze at centuries later in awe.
It was haying season, and he had left his wagon in the lane, right where it met the kissing gate and the farm fields at the end of old Gosport Road. Huge bundles of hay had already been piled up high on the back of the wagon, waiting for transport to the horse and dairy farms that dotted the outer vicinity of the village, stretching in a row from Alton to East Tisted. As he lay there, he could feel the back of his shirt, damp from sweat, even though the sun was pale and barely trying; at just nine in the morning he had already been hard at work in the fields for several hours.
The multitude of finches, robins, and tits suddenly quieted down as if on command, and he closed his eyes. His dog had been on guard until that moment, looking out over the mossy stone wall at the sheep that dotted the fields below, just past the hidden ha-ha that marked the perimeter of the estate. But as the farmer’s laboured breath became deep and rhythmic with sleep, the dog took his own cue and lay down beneath his master in the cool dirt of the graveyard.
He jolted awake at the voice now resonant above him. A lady’s voice. An American voice.
Sitting up, he swung his legs down from the stone wall to stand before her. He looked at her face quickly, glanced at the rest of her, then just as quickly looked away.
She appeared to be quite young, no older than her early twenties. She wore a wide-brimmed straw hat with an indigo-blue ribbon tied about it that matched the deep blue of her tailored dress. She looked quite tall, almost the same height as him, until he realized she was wearing the highest pair of heels he had ever seen. In one hand she held a small pamphlet, in the other a black clutch purse—and around her neck hung a tiny cross on a short silver chain.
“I’m so sorry to disturb you, but you’re the first person I’ve met all morning. And I’m quite lost, you see.”
As a lifelong resident of Chawton, population 377, the man was not surprised. He was always one of the first villagers up and about in the morning, right behind the milkman, Dr. Gray on his more pressing rounds, and the postman doing his pickup from the local office.
“You see,” she repeated, starting to adjust to his natural reticence, “I came down for the day from London—I took the train out here from Winchester to see the home of the writer Jane Austen. But I can’t find it, and I saw this little parish church from the road and decided to have a look around. To find some trace of her if I could.”
The man looked behind his right shoulder at the church, the same church he had attended all his life, made of local flint and red sandstone and sheltered by beech and elm trees. It had been rebuilt a few generations ago—nothing notable was left inside of Jane Austen or her immediate family.
He turned and looked back now over his left shoulder, at the small stile at the rear of the churchyard, through which one could just glimpse towering yew hedges clipped into circular cones. Even as a boy they had looked to him like nothing so much as extremely large salt and pepper cellars. The hedges ran along the south terrace garden of an imposing Elizabethan house set on an incline, with a gabled tiled roof, red brickwork, and a three-story Tudor porch covered in vines.
“The big house is back there,” he said abruptly, “just past the church. The Great House, it’s called. Where the Knight family lives. Miss Austen’s mother and sister’s graves are right here—do you see, miss, alongside the church wall?”
Her face lit up in gratitude, both for the information and for his slow warming to the conversation.
“Oh my goodness, I had no idea.…”
Then her eyes began to well up. She was the most striking human being he had ever met, like a model in a hair or soap advertisement in the papers. As the tears started, the colour of her eyes crystallized into something he had never before seen, a shade of blue almost like violet, while the tears caught on rows of inky-black lashes, blacker even than her hair.
Looking away, he tried to step around her carefully, his dog, Rider, now nipping about at his muddy boots. He walked over until he was standing next to the two large slabs of stone that stood upright in the ground. She followed him, the heels of her black pumps sticking a bit in the graveyard dirt, and he watched as she silently mouthed the words carved onto the twin tombstones.
Backing away, he fiddled about to find his cap from his pocket. Brushing back the lock of light blond hair that tended to fall across his brow as he worked, he tucked it up under the rim of the cap as he pulled it forward and down over his eyes. He wanted to be away from her now, from the strange emotion being stirred up in her by the unadorned graves of simple women dead these past one hundred years.
Off he wandered to wait with Rider by the main lych gate to the churchyard. After several minutes she finally appeared from around the corner of the church, this time stopping to read the inscription of every stone she passed, as if hoping to discover even more slumbering souls of note. Every so often she would teeter a bit as her heel caught the edge of a stone, and she would grimace just so slightly at her own clumsiness. But her eyes never left the graves below.
She stopped at the lych gate next to him and looked back with a contented sigh. She was smiling now and more composed—so composed that he finally picked up the whiff of money in both her poise and her manners.
“I’m so sorry about that, I just wasn’t prepared. You see, I came all this way to find the cottage, where she wrote the books—the little table, the creaking door,” she added, but to no visible reaction. “I couldn’t find out much about any of this while in London—thank you so much for telling me.”
He held the lych gate open for her and they started to walk back towards the main road together.
“I can take you to her house if you’d like—it’s barely a mile or so up the lane. I’ve done my morning haying for the farm, before it gets too hot, so I’ve time to spare.”
She smiled, a great big white winning smile, the kind of smile he could only imagine being American. “That is awfully kind of you, thank you. You know, I was assuming people came all the time, like this, like me—do they?”
He shrugged as he kept his pace slow to meet hers along the half-mile gravel drive that led down to the road from the Great House.
“Often enough, I guess. Nothing really much to see, though. It’s just workers’ flats now, at the cottage—tenants in all the rooms.”
He turned to see her face tighten in disappointment. As if to cheer her up, before he even knew what had come over him, he asked her about the books.
“I’m not even sure I can answer that,” she replied, as he pointed the way back down the country lane, opposite the end where his wagon sat with its load temporarily forgotten. “I just feel, when I read her, when I reread her—which I do, more than any other author—it’s as if she is inside my head. Like music. My father first read the books to me when I was very young—he died when I was twelve—and I hear his voice, too, when I read her. Nothing made him laugh out loud, nothing, the way those books did.”
He listened to her rambling on, then shook his head as if in disbelief.
“You haven’t read her then?” the woman asked, a disbelieving light in her own eyes meeting his.
“Can’t say I’ve too much interest. Stick to Haggard and the like. Adventure stories, you know. Suppose you might judge me for that.”
“I would never judge anyone for what they read.” She caught the ironic look on his face and added, with another broad smile, “Although I guess I just did.”
“All the same, I never understood how a bunch of books about girls looking for husbands could be on par with the great writers. Tolstoy and such.”
She looked at him with new interest. “You’ve read Tolstoy?”
“Used to—I was going to be sent up to study, during the war, but both my brothers got called to fight. I stayed back here, to help out.”
“Do you all work the farm together then?”
He looked away. “No, miss. They’re both dead now. The war.”
He liked to say the words like that, like a clean cut, sharp and deep and irrevocable. As if trying to stave off any further conversation. But he had the feeling that with her this approach might only invite more questions, so he quickly continued, “By the way, see those two roads, where they meet—you came in from Winchester, from the left, yeah? Well, stick along here to the right—that’s now the main road to London—and you come into Chawton proper. That there’s the cottage up ahead.”
“Oh, that’s really awfully kind of you. Thank you. But you must read the books. You must. I mean, you live here—how can you not?”
He wasn’t used to this kind of emotional persuasion—he just wanted to get back to his wagon of hay and be gone.
“Just promise me, please, Mr.…?”
“Adam. The name’s Adam.”
“Mary Anne,” she replied, extending her hand to shake his goodbye. “Start with Pride and Prejudice, of course. And then Emma—she’s my favourite. So bold, yet so wonderfully oblivious. Please?”
He shrugged again, tipped his cap at her, and started to walk off down the lane. He dared to look back only once, from just past the pond where the two roads met. He saw her still standing there, tall and slender in her midnight blue, staring at the redbrick cottage, at its bricked-up window and the white front door opening straight onto the lane.
Copyright © 2020 by Natalie Jenner
Read our interview with Natalie Jenner on the Reading Group Choices blog!