An epic new series from Katherine Applegate, the Newbery Medal-winning and #1 New York Times bestselling author of The One and Only Ivan, Crenshaw, and Wishtree.
Byx is the youngest member of her dairne pack. Believed to possess remarkable abilities, her mythical doglike species has been hunted to near extinction in the war-torn kingdom of Nedarra.
After her pack is hunted down and killed, Byx fears she may be the last of her species. The Endling. So Byx sets out to find safe haven, and to see if the legends of other hidden dairnes are true.
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A “searingly honest self-exploration” (New York Times) of the experience and psyche of the Asian American male, including Tizon’s stunning final article, “My Family’s Slave”
Shame, Alex Tizon tells us, is universal—his own happened to be about race. To counteract the steady diet of American television and movies that taught Tizon to be ashamed of his face, his skin color, his height, he turned outward. (“I had to educate myself on my own worth. It was a sloppy, piecemeal education, but I had to do it because no one else was going to do it for me.”) Tizon illuminates his youthful search for Asian men who had no place in his American history books or classrooms.
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In This Is Just My Face, Gabourey Sidibe—the “gives-zero-effs queen of Hollywood AND perceptive best friend in your head” (Lena Dunham)—paints her unconventional rise to fame with full-throttle honesty. Sidibe tells engrossing, inspiring stories about her Bed-Stuy/Harlem/Senegalese family life with a polygamous father and a gifted mother who supports her two children by singing in the subway, her first job as a phone sex “talker,” and her Oscar-nominated role in Lee Daniels’s Precious.
Sidibe’s memoir hits hard with self-knowing dispatches on friendship, celebrity, weight, haters, fashion, race, and depression (“Sidibe’s heartfelt exploration of insecurity .
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From the author of The Queen of the Night, an essay collection exploring his education as a man, writer, and activist—and how we form our identities in life and in art.
As a novelist, Alexander Chee has been described as “masterful” by Roxane Gay, “incomparable” by Junot Díaz, and “incendiary” by the New York Times. With How to Write an Autobiographical Novel, his first collection of nonfiction, he’s sure to secure his place as one of the finest essayists of his generation as well.
How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life,
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A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes.
Only the living can make the world better. Live and make it better.
Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.
Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances.
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During the height of the roaring twenties, Jessie Miller longs for adventure. Fleeing a loveless marriage (though without divorcing) in the backwaters of Australia, twenty-five-year-old Jessie arrives in London and promptly falls in with the Bright Young Things, those boho-chic intellectuals draped in pearls, and flapper dresses with martinis in hand. At a gin soaked party Jessie meets William Lancaster, married himself and fresh from the Royal Air force, with a scheme in his head to become as famous as Charles Lindbergh, who has just crossed the Atlantic. Lancaster will do Lindy one better: fly from London to Melbourne, and in Jessie Miller he’s found the perfect co-pilot.
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