1991. One hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who is starting an ambitious career reporting from war zones, resulting in the estrangement of his wife and daughter; Arwood is a naive small-town American private bored out of his skull waiting for something—anything—to happen. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her.
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At thirty-two, Faith Frankel has returned to her claustro-suburban hometown, where she writes institutional thank-you notes for her alma mater. It’s a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state). And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he’s Chagall.
When she finds some mysterious artifacts in the attic of her new home,
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All their lives, Alice Stanhope and her daughter, Zoe, have been a family of two, living quietly in Northern California. Zoe has always struggled with crippling social anxiety and her mother has been her constant and fierce protector. With no family to speak of, and the identity of Zoe’s father shrouded in mystery, their team of two works—until it doesn’t. Until Alice gets sick and needs to fight for her life.
Desperate to find stability for Zoe, Alice reaches out to two women who are practically strangers but who are her only hope: Kate, a nurse, and Sonja,
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For fans of dark and twisty psychological thrillers, Watch Me is a riveting novel of suspense about how far obsession can go.
Kate Youngblood is disappearing. Muddling through her late 30s as a creative writing professor at Blackwood college, she’s dangerously close to never being noticed again. The follow-up novel to her successful debut tanked. Her husband left her for a woman ten years younger. She’s always been bright, beautiful, independent and a little wild, but now her glow is starting to vanish. She’s heading into an age where her eyes are less blue, her charm worn out,
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A hypnotic novel inspired by the strange and fascinating life of sculptor Rembrandt Bugatti, brother of the fabled automaker. With World War One closing in and the Belle Époque teetering to a close, Bugatti leaves his native Milan for Paris, where he encounters Rodin and casts his bronzes at the same foundry used by the French master. In Paris and then Antwerp, Bugatti obsessively observes and sculpts the baboons, giraffes and panthers in the municipal zoos, finding empathy with their plight, identifying with their life in captivity. As the Germans drop bombs over the Belgian city, the zoo authorities are forced to make a heart-wrenching decision about the fate of the caged animals,
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Ursula K. Le Guin on the absurdity of denying your age: “If I’m ninety and believe I’m forty-five, I’m headed for a very bad time trying to get out of the bathtub.”
On cultural perceptions of fantasy: “The direction of escape is toward freedom. So what is ‘escapism’ an accusation of?”
On breakfast: “Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime.”
Ursula K. Le Guin has taken readers to imaginary worlds for decades. Now she’s in the last great frontier of life,
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