The memoir of a woman who leaves her faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world
Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family.
But over the years, her doubts became noisier than her faith, and at age forty she could no longer breathe in what had become a suffocating existence.
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National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization.
When the vuvv first landed, it came as a surprise to aspiring artist Adam and the rest of planet Earth — but not necessarily an unwelcome one. Can it really be called an invasion when the vuvv generously offered free advanced technology and cures for every illness imaginable? As it turns out, yes. With his parents’ jobs replaced by alien tech and no money for food, clean water, or the vuvv’s miraculous medicine,
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Told with Bradford’s inimitable deftness of prose and a beloved cast of characters, Secrets of Cavendon is a captivating novel that will draw readers in and grip them until the very last page.
It’s the summer of 1949, and things have run smoothly at Cavendon Hall for years, with very few quarrels, dramas, or upsets between the two families. But since the end of World War II, changes have arrived at Cavendon. A new generation is at the helm, and also at the forefront of new scandal and intrigue. With romance, betrayal, heartbreak, and possible murder threatening to tear them apart,
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“[A] stunning debut…reminds me of my most favorite authors: J.D. Salinger, Carson McCullers, Truman Capote, Joan Didion.” —A.M. Homes
I viewed the consumptive nature of love as a threat to serious women. But the wonderful man I just married believes as I do—work is paramount, absolutely no children—and now love seems to me quite marvelous.
These words are spoken to a rapturous audience by Joan Ashby, a brilliant and intense literary sensation acclaimed for her explosively dark and singular stories.
When Joan finds herself unexpectedly pregnant, she is stunned by Martin’s delight,
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Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged.
Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs;
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In the middle of the night in 1997, Doctors Without Borders administrator Christophe André was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, André was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts André’s harrowing experience in Hostage, a book that attests to the power of one man’s determination in the face of a hopeless situation.
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