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WITHOUT A BACKWARD GLANCE

 On a stifling Christmas Eve in 1967 the lives of the McDonald children-Deborah, Robert, James, and Meredith-changed forever. Their mother, Rosemarie, told them she was running out to buy some lights for the tree. She never came back. The children were left with their father, and a gnawing question: why had their mother abandoned them?

Over the years, the four siblings have become practiced in concealing their pain, remaining close into adulthood, and forming their own families. But long-closed wounds are reopened when a chance encounter brings James face-to-face with Rosemarie after nearly forty years.

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FIRST COMES LOVE, THEN COMES MALARIA

Eve Brown, college diploma in hand and notions of saving the world in her head, was unsure about what to do with the rest of her life. Something noble…yet glamorous, she hoped. With some ambivalence she looked into joining the Peace Corps. When she fell for her dashing and altruistic Peace Corps recruiter, John, all the ambivalence disappeared. She absolutely had to join the Peace Corps, if for no other reason than to win John’s heart. Off to Ecuador she went—and after a year in the jungle, back to the States she ran, vowing to stay within easy reach of a decaf cappuccino for the rest of her life.

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TWENTY WISHES

 Anne Marie Roche wants to find happiness again. At thirty-eight, her life’s not what she’d expected—she’s childless, a recent widow, alone. She owns a successful bookstore on Seattle’s Blossom Street, but despite her accomplishments, there’s a feeling of emptiness.

On Valentine’s Day, Anne Marie and several other widows get together to celebrate…what? Hope, possibility, the future. They each begin a list of twenty wishes, things they always wanted to do but never did.

Anne Marie’s list starts with: Find one good thing about life. It includes learning to knit,

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IN HOVERING FLIGHT

 At 34, Scarlet Kavanagh has the kind of homecoming no child wishes, a visit back to family and dear friends for the gentle passing of her mother, Addie, a famous bird artist and an even more infamous environmental activist. Though Addie and her husband, ornithologist Tom Kavanagh, have made their life in southeastern Pennsylvania, Addie has chosen to die at the New Jersey home of her dearest friend, Cora. This is because the Kavanagh’s ramshackle cottage is filled with too much history and because, in the last ten years or so, and for reasons that are not entirely clear, even bird song has seemed to make Addie angry,

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DRIVING WITH DEAD PEOPLE

 Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child.

Yet in spite of her father’s bouts of violence and abuse, her mother’s selfishness and prim denial, and her siblings’ personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way,

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THE NIGHT CLIMBERS

When James Walker arrives at Tudor College, Cambridge, he tries to create a vague air of mystery about himself in the hope of making the right kind of friends. By accident or fate he encounters a member of the Night Climbers, a wealthy, secretive, and tantalizingly eccentric circle of undergraduates who scale the college towers and gargoyles at night in pursuit of the kind of thrill-seeking danger that makes them feel truly alive.

Seduced by their reckless charisma and talent for decadence, James falls for both Francis, the group’s ringleader, and Jessica, his beautiful best friend. Their extravagant living is financed,

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