Set in Boston at the end of the First World War, New York Times bestselling author Dennis Lehane’s long-awaited eighth novel unflinchingly captures the political and social unrest of a nation caught at the crossroads between past and future. Filled with a cast of unforgettable characters more richly drawn than any Lehane has ever created, The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power. Beat cop Danny Coughlin,
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Wally Lamb’s two previous novels, She’s Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. One critic called Wally Lamb a “modern-day Dostoyevsky,” whose characters struggle not only with their respective pasts, but with a “mocking, sadistic God” in whom they don’t believe but to whom they turn, nevertheless, in times of trouble (New York Times).
In his new novel, The Hour I First Believed,
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One month after her wedding day, thirty-three-year-old Cami Walker was diagnosed with multiple sclerosis, and the life she knew changed forever. Cami was soon in and out of LA’s emergency rooms with alarming frequency as she battled the neurological condition that left her barely able to walk and put enormous stress on her marriage. Each day brought new negative thoughts: I’m going to end up in a wheelchair. Mark’s probably going to leave me. My life is over. Why did this have to happen to me?
Then, as a remedy for her condition,
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As seamstresses, the young sisters Emília and Luzia dos Santos know how to cut, how to mend, and how to conceal. These are useful skills in the lawless backcountry of Brazil, where ruthless land barons called “colonels” feud with bands of outlaw cangaceiros, trapping innocent residents in the cross fire.
Emília, whose knowledge of the world comes from fashion magazines and romance novels, dreams of falling in love with a gentleman and escaping to a big city.
Luzia also longs to escape their little town, where residents view her with suspicion and pity.
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In Jordan’s prize-winning debut, prejudice takes many forms, both subtle and brutal. It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband’s Mississippi Delta farm—a place she finds foreign and frightening. In the midst of the family’s struggles, two young men return from the war to work the land. Jamie McAllan, Laura’s brother-in-law, is everything her husband is not—charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country,
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The Little Book is the extraordinary tale of Wheeler Burden, California-exiled heir of the famous Boston banking Burdens, philosopher, student of history, legend’s son, rock idol, writer, lover of women, recluse, half-Jew, and Harvard baseball hero. In 1988 he is forty-seven, living in San Francisco. Suddenly he is—still his modern self—wandering in a city and time he knows mysteriously well: fin de siècle Vienna. It is 1897, precisely ninety-one years before his last memory and a half-century before his birth.
It’s not long before Wheeler has acquired appropriate clothes, money, lodging, a group of young Viennese intellectuals as friends,
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