Considered by many critics to be Charles Dickens’s most psychologically acute self-portrait, Great Expectations is without a doubt one of Dickens’s most fully-realized literary creations.
Work on Great Expectations commenced in late September of 1860 at what proved to be a peak of emotional intensity for its author. Two years before, Dickens had separated from Catherine, his wife of twenty-two years, and several weeks prior to the beginning of this novel, Dickens had burned all his papers and correspondence of the past twenty years at his Gad’s Hill estate. This action, in retrospect, can be viewed as a sort of spiritual purge (think of Pip’s burnt hands/Miss Havisham on fire)—an attempt to break decisively from the past in order (paradoxically) to fully embrace it,
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Sebastian Prendergast lives with his eccentric grandmother in a geodesic dome. His homeschooling has taught him much-but he’s learned little about girls, junk food, or loud, angry music. Then fate casts Sebastian out of the dome, and he finds a different kind of tutor in Jared Whitcomb: a chain-smoking sixteen-year-old heart transplant recipient who teaches him the ways of rebellion. Together they form a punk band and plan to take the local church talent show by storm. But when his grandmother calls him back to the futurist life she has planned for him, he must decide whether to answer the call-or start a future of his own.
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It is 1176 and the King of England’s daughter is to marry the King of Sicily. As war and plague run rampant across the continent, King Henry II entrusts the life of his princess on a journey bound for Palermo to medieval forensic pathologist Adelia Aguilar, his mistress of the art of death. She is initially unwilling to accept until the Plantagenet uses Adelia’s daughter as a bartering tool, holding the child hostage until she completes the mission. A caravan is assembled including Adelia’s most treasured confidant, the Arab eunuch Mansur, her lover Rowley, and an Irish admiral, O’Donnell.
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A memoir sharing a lifetime’s worth of lessons from a generation female cooks.
Somewhere between the lessons her mother taught her and the ones she is now trying to teach her own daughter, Kim Severson stumbled. She lost sight of what mattered, of who she was and who she wanted to be, and of how she needed to live her life. It took a series of encounters with female cooks-including Marion Cunningham, Alice Waters, Ruth Reichl, Rachael Ray, and Marcella Hazan-to reteach her the life lessons she had forgotten, and many she had never learned in the first place.
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June Han was orphaned as a girl by the Korean War. Hector Brennan was a young GI who fled the petty tragedies of his small town to serve his country. When the war ended, their lives collided at a Korean orphanage, where they vied for the attention of Sylvie Tanner, a beautiful yet deeply damaged missionary. As Lee masterfully unfurls the stunning story of June, Hector, and Sylvie, he weaves a profound meditation on the nature of heroism and sacrifice, the power of love, and the possibilities for mercy, salvation, and surrendering oneself to another.
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In the tradition of Robert Ludlum, with a witty twist, Thomson’s second novel featuring a former spy and his son once again poses the question: What happens when a former CIA agent can no longer trust his own mind? Charlie and Drummond Clark are now in Switzerland, hiding out from criminal charges in America and using the time to experiment with treatments to retrieve Drummond’s memory. When NSA operative Alice Rutherford, with whom Charlie has fallen in love, is kidnapped, the Clarks must dodge a formidable CIA case officer and his team to get her back.
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