Chris Lowndes built a comfortable career composing scores for films in Hollywood. But after twenty-five years abroad, and still quietly reeling from the death of his beloved wife, he decides to return to the Yorkshire dales of his youth. To ease the move, he buys Kilnsgate House, a rambling old mansion deep in the country.
Although Chris finds Kilnsgate charming, something about the house disturbs him, a vague sensation that the long-empty rooms have been waiting for him—feelings made ever stronger when he learns that the house was the scene of a murder more than fifty years before.
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With an imaginative audacity and lyrical brilliance that puts him in the company of David Mitchell and Aleksandar Hemon, Rana Dasgupta paints a portrait of a century though the story of a hundred-year-old blind Bulgarian man in a first novel that announces the arrival of an exhilarating new voice in fiction.
In the first movement of Solo we meet Ulrich, the son of a railroad engineer, who has two great passions: the violin and chemistry. Denied the first by his father, he leaves for the Berlin of Einstein and Fritz Haber to study the latter. His studies are cut short when his father’s fortune evaporates,
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Every day Christine wakes up not knowing where she is. Her memories disappear every time she falls asleep. Her husband, Ben, is a stranger to her, and he’s obligated to explain their life together on a daily basis–all the result of a mysterious accident that made Christine an amnesiac. With the encouragement of her doctor, Christine starts a journal to help jog her memory every day. One morning, she opens it and sees that she’s written three unexpected and terrifying words: "Don’t trust Ben." Suddenly everything her husband has told her falls under suspicion. What kind of accident caused her condition?
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The Night Swimmer, Matt Bondurant’s utterly riveting modern gothic novel of marriage and belonging, confirms his gift for storytelling that transports and enthralls.
In a small town on the southern coast of Ireland, an isolated place only frequented by fishermen and the occasional group of bird-watchers, Fred and Elly Bulkington, newly arrived from Vermont having won a pub in a contest, encounter a wild, strange land shaped by the pounding storms of the North Atlantic, as well as the native resistance to strangers. As Fred revels in the life of a new pubowner, Elly takes the ferry out to a nearby island where anyone not born there is called a “blow-in.”
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The U.S. debut of leading U.K. author David Szalay, named one of The Daily Telegraph’s twenty best British novelists under forty.
James is a man with a checkered past—sporadic entrepreneur, one-time film producer, almost a dot-com millionaire—now alone in a flat in Bloomsbury, running a shady horse-racing-tips operation. Katherine is a manager at a luxury hotel, a job she’d intended to leave years ago, and is separated from her husband. The novel unfolds in 2006, at the end of the money-for-nothing years, as a chance meeting leads to an awkward tryst and James tries to make sense of a relationship where “no”
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As she approached her fiftieth birthday, Tracey Jackson found herself bombarded—at the gym, at parties, in conversations with friends—by a catchphrase on everyone’s lips. “Fifty is the new thirty” and the endless magazine articles, photos, and T-shirts proclaiming the new aphorism had apparently bloomed out of a collective sense of denial, masking the true fears of a generation unwilling to relinquish their youth.
With a comedy writer’s training and a screenwriter’s eye for detail, Jackson skewers the myth in Between a Rock and a Hot Place, a hilarious, bare-knuckled, and ultimately practical appraisal of what middle age really means today.
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