I wish I could tell everyone who thinks we’re ruined, Look closer…and you’ll see something extraordinary, mystifying, something real and true. We have never been what we seemed.
When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the “ungettable” Zelda has fallen for him despite his unsuitability: Scott isn’t wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame.
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For ecologist John Terborgh, Manu National Park in the rainforest of Peru is a second home; he has spent half of each of the past twenty-five years there conducting research. Like all parks, Manu is assumed to provide inviolate protection to nature. Yet even there, in one of the most remote corners of the planet, Terborgh has been witness to the relentless onslaught of civilization.
Seeing the steady destruction of irreplaceable habitat has been a startling and disturbing experience for Terborgh, one that has raised urgent questions: Is enough being done to protect nature? Are current conservation efforts succeeding?
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Valuing the Earth collects more than twenty classic and recent essays that broaden economic thinking by setting the economy in its proper ecological and ethical context. They vividly demonstrate that, contrary to current macroeconomic preoccupations, continued growth on a planet of finite resources cannot be physically or economically sustained and is morally undesirable. Among the issues addressed are population growth, resource use, pollution, theology (east and west), energy, and economic growth. Their common theme is the notion, popular with classical economists from Malthus to Mill, that an economic stationary state is more healthful to life on earth than unlimited growth.
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NATIONAL BESTSELLER • LONGLISTED FOR THE MAN BOOKER PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST
Meet Harold Fry, recently retired. He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does. Little differentiates one day from the next. Then one morning a letter arrives, addressed to Harold in a shaky scrawl, from a woman he hasn’t heard from in twenty years. Queenie Hennessy is in hospice and is writing to say goodbye. But before Harold mails off a quick reply,
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From New York to Paris, Scott and Zelda Fitzgerald reigned as king and queen of the Jazz Age, seeming to float on champagne bubbles above the mundane cares of the world. But to those who truly knew them, the endless parties were only a distraction from their inner turmoil, and from a love that united them with a scorching intensity.
When Zelda is committed to a Baltimore psychiatric clinic in 1932, vacillating between lucidity and madness in her struggle to forge an identity separate from her husband, the famous writer, she finds a sympathetic friend in her nurse,
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It’s the height of the Great Depression in Cascade, Massachusetts. Desdemona Hart’s aging father has lost everything but his treasured, now-shuttered Shakespeare Theatre. To put a roof over his head, Dez marries Asa Spaulding, the local pharmacist. Just out of art school, Dez must put aside her dreams of working in New York City and become a supportive wife, daughter, and—if Asa has his way—mother. When her father dies just two months later and deeds the playhouse to Asa, Dez realizes the extent of her mistake. She’s staring down a lifetime with a man she respects but doesn’t love, yet she can’t leave him without abandoning her father’s legacy.
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