Set against the tumultuous background of apartheid South Africa, a powerful and moving debut about family, sacrifice, and discovering what it means to belong…
Celia Mphephu knows her place in the world. A black servant working in the white suburbs of 1960s Johannesburg, she’s all too aware of her limitations. Nonetheless, she has found herself a comfortable corner: She has a job, can support her faraway family, and is raising her youngest child, Miriam.
But as racial tensions explode, Celia’s world shifts. Her employers decide to flee the political turmoil and move to England—and they ask to adopt Miriam and take her with them.
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Douglas Petersen may be mild mannered, but
behind his reserve lies a sense of humor that,
against all odds, seduces beautiful Connie into
a second date . . . and eventually into marriage.
Now, almost three decades after their relationship
first blossomed in London, they live more or
less happily in the suburbs with their moody
seventeen-year-old son, Albie.
Then Connie tells Douglas that she thinks she wants a divorce.
The timing couldn’t be worse. Hoping to encourage her son’s artistic
interests,
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One of the most notorious and bizarre mysteries of the Edwardian age, for readers who loved The Suspicions of Mr. Whicher.
At the close of the Victorian era, as now, privacy was power. The extraordinarily wealthy 5th Duke of Portland had a mania for it, hiding in his carriage and building tunnels between buildings to avoid being seen. So when, in 1897, an elderly widow asked the court to exhume the grave of her late father-in-law, T.C. Druce, under the suspicion that he’d led a double life as the 5th Duke, no one could dismiss her claim.
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Catherine and Zoe are sisters, but even their mother, Eve, admits her daughters are nothing alike. Catherine is calm and responsible. Zoe is passionate and rebellious. Nobody is surprised when Zoe gets pregnant, drops out of college, and spirals into drug addiction.
One night Catherine gets a call from Zoe’s terrified daughter, Willow, saying her mother has abandoned her in a bus station and disappeared. Eve blames herself, while Catherine, unable to have children, is delighted to raise Willow as her own.
Now, five years later, Eve is grieving her husband’s death and making reluctant plans to sell the family’s beloved summer home on Prince Edward Island.
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Self-deception and betrayal are Elizabeth Taylor’s
great subjects, and in A View of the Harbour she
turns her unsparing gaze on the emotional and
sexual politics of a seedy seaside town that’s been
left behind by modernity. Tory, recently divorced,
depends more and more on the company of her
neighbors Robert, a doctor, and Beth, a busy author
of melodramatic novels. Prudence, Robert and
Beth’s daughter, disapproves of the intimacy that has grown between her
parents and Tory and the gossip it has awakened in their little community.
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The Gap of Time is the first title in the Hogarth Shakespeare series: this major international project will see Shakespeare’s plays reimagined by some of today’s bestselling and most celebrated writers.
The Winter’s Tale is one of Shakespeare’s “late plays.” It tells the story of a king whose jealousy results in the banishment of his baby daughter and the death of his beautiful wife. His daughter is found and brought up by a shepherd on the Bohemian coast, but through a series of extraordinary events, father and daughter, and eventually mother too,
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