Spanning the years of the first great settlement of the West, The Removes tells the intertwining stories of fifteen-year-old Anne Cummins, frontierswoman Libbie Custer, and Libbie’s husband, the Civil War hero George Armstrong Custer. When Anne survives a surprise attack on her family’s homestead, she is thrust into a difficult life she never anticipated—living among the Cheyenne as both a captive and, eventually, a member of the tribe. Libbie, too, is thrown into a brutal, unexpected life when she marries Custer. They move to the territories with the U.S. Army, where Libbie is challenged daily and her worldview expanded: the pampered daughter of a small-town judge,
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A vibrant, propulsive literary thriller that charts the high-stakes journey of a young man trying to find his place in a country that has lost its way
As the 1980s draw to a close, South Africa is a maelstrom of political violence with the apartheid regime in its death throes. Young Martin Helger is the struggling odd duck at an elite private boys school in Johannesburg, with his father a rough-handed scrap dealer and his brother a mysterious legend.
When a beautiful and manipulative American arrives at the family home, Martin soon finds himself wrenched out of his isolated bubble and thrust into the raw heart of the struggle.
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Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power.
A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation,
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Allison Pearson’s brilliant debut novel, I Don’t Know How She Does It, was a New York Times bestseller with four million copies sold around the world. Called “the definitive social comedy of working motherhood” (The Washington Post) and “a hysterical look—in both the laughing and crying senses of the world—at the life of Supermom” (The New York Times), I Don’t Know How She Does It introduced Kate Reddy, a woman as sharp as she was funny. As Oprah Winfrey put it, Kate’s story became “the national anthem for working mothers.”
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Humor and sorrow join together in Jamie Weisman’s captivating debut novel—the story of an interfaith wedding from the perspectives of its (adoring, envious, resentful, hilarious) guests
One afternoon in Atlanta, Georgia. Two people heading to the altar. One hundred fifty guests. The bride, Elizabeth Gottlieb, proud graduate of the University of Virginia and of Emory University School of Law, member of Atlanta’s wealthy Jewish elite. The groom, Hank Jackson, not a member. Not a Jew. The couple of the hour, however, is beside the point, because We Are Gathered belongs to the guests.
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As a child, Fee is a gifted Korean-American soprano in a boys’ choir in Maine. Silent after being abused by the director, he is unable to warn the other boys or protect his best friend, Peter, from the director’s advances. Even after the director is imprisoned, Fee continues to believe he is responsible, and while he survives to adulthood, his friends do not. In the years that follow, he struggles to bury his guilt and grief, until he meets a beautiful young student that resembles Peter, and he is forced to confront the demons of his brutal past.
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