A long overdue retelling of New Grub Street—George Gissing’s classic satire of the Victorian literary marketplace—Grub chronicles the triumphs and humiliations of a group of young novelists living in and around New York City.
Eddie Renfros, on the brink of failure after his critically acclaimed first book, wants only to publish another novel and hang on to his beautiful wife, Amanda, who has her own literary ambitions and a bit of a roving eye. Among their circle are writers of every stripe—from the Machiavellian Jackson Miller to the ‘experimental writer’
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When the curtains are drawn back on the cabinet of wonders, every individual you meet is an original, the indelible mark of their uniqueness shaped in their flesh. Molly and Faye are spirited teenagers—and conjoined twins. Saffron is the Wolf Girl, her female form covered head to toe in fur. Alex/Alexandra is a seductive morphodite, her male/female parts irresistible to many.
To the rubes that pay good coin to see them, they are Freaks. To the other carnies—those who run the Ferris Wheel, the Girl Show, and more—they are the Starlight Carnival Royale’s most lucrative source of income,
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Sixteen-year-Amy lies in a coma. Her elder sister, Moira, sits beside her in the evenings and tells this story seeking forgiveness and retribution. She tells of her own life—her secrets, her shameful actions, and her link to the accident that has brought her sister to this bed.
An only child until the age of eleven, Moira perceived the arrival of Amy as a betrayal. Sent away to boarding school, she became untrusting, inward, lonely. Even after marriage, she continued to doubt herself and that anyone could love her and be faithful. It is only Amy’s accident that brings her back to her family,
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The first two novels in a dramatic trilogy set in eleventh-century France about the lives and loves of three daughters of the great Talmud scholar.
In 1068, the scholar Salomon ben Isaac returns home to Troyes, France, to take over the family winemaking business and embark on a path that will indelibly influence the Jewish world—writing the first Talmud commentary, and secretly teaching Talmud to his daughters.
Joheved, the eldest of his three girls, finds her mind and spirit awakened by religious study, but, knowing the risk, she must keep her passion for learning and prayer hidden.
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One of her wilder books, The View from Mount Joy begins as the narrator (and hero) Joe Andreson and his mother have moved down to Minneapolis from a small town in Northern Minnesota. He joins the Class of ’72 at Ole Bull High School and two of the girls he meets — Kristi Casey, the cheerleading captain who assumes the earth’s orbit is for her benefit, and Darva Pratt, who cares more about art and politics than her ranking on the popularity chart – will impact the rest of his life.
We follow Joe’s story as he graduates high school and college and tumbles into a life that includes an unchosen,
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In searching for the answers to life’s enduring questions, Kit Bakke sends an e-mail to her heroine, Louisa May Alcott and is amazed to receive a reply. Their correspondence – a mixture of biography, history and autobiography – becomes an intertwined dance of ideas and stories, bridging the mix-1800s and the twenty-first century. Together, they discuss issues of women’s rights, the obligation to help the sick and needy, and the moral and personal responsibility to resist injustice and initiate reform.
For Kit Bakke, Alcott is considerably more than the author of Little Women. “Her abolitionist zeal,
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