From Jean Reynolds Page—the critically acclaimed author of The Space Between Before and After and one of the most compelling voices in contemporary women’s fiction—comes a dazzling novel of loss and redemption, of relationships that damage and those that heal.
Thirty-nine and pregnant by a man she’s decided to leave behind in California, Jules’ life is changing. Always the protected daughter, she must now relinquish that role and prepare to be a mother herself. But her efforts are upstaged by shocking allegations from a local teen in her North Carolina hometown.
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Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident.
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As an only child, Janet longs for a sister her parents are unable to give her. In kindergarten she meets Sophie, a strange and imaginative girl with a troubled family life. As friendship grows between the two girls, Janet believes her prayers have been answered, especially when members of her family embrace Sophie as one of their own.
Sophie’s troubles continue to follow her through high school, and Janet stands by her “sister” until, in adulthood, she learns of a devastating secret Sophie has kept from her. Janet’s world is turned upside down—and she discovers there may be a limit to what sisters should share.
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Welcome to Kittur, India. It’s on India’s southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It’s blessed with rich soil and scenic beauty, and it’s been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed.
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Meet Dahlia Finger: twenty-nine, depressed, whip-smart, occasionally affable, bracingly honest, resolutely single, and perennially unemployed. She spends her days stoned in front of the TV, watching the same movies repeatedly, like “a form of prayer.” But when Dahlia’s so-called life is upended by a terminal brain tumor, she must work toward reluctant emotional reckoning with the aid of a questionable self-help guide. Stunned, she obsessively revisits the myriad heartbreaks, disappointments, rages, and regrets that comprise the story of her life. With her take-no-prisoners perspective, her depressive humor, and her extreme vulnerability, Dahlia Finger walks a dazzling line between gravitas and irreverence,
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Nan Powell is a free-spirited, sixty-five-year-old widow who’s not above skinny-dipping in her neighbors’ pools when they’re away and who dearly loves her Nantucket home. But when she discovers that the money she thought would last forever is dwindling, she realizes she must make drastic changes to save her beloved house. So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach.
Slowly people start moving in to the house, filling it with noise, laughter,
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