Isabel Merton is a renowned concert pianist, whose performances are marked by a rare responsiveness to the complexities of her art, and its intensities of feeling. At the height of her career, she feels increasingly torn between the compelling musical realm she deeply inhabits, and her fragmented itinerant artist’s life, with its frequent flights, anonymous hotels, and brief, arbitrary encounters. Away from her New York home on a European tour, Isabel meets a political exile from a war-torn country, a man driven by a rankling sense of injustice and a powerful desire to vindicate his cause and avenge his people.
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One day in early spring, Dorrit Weger is checked into the Second Reserve Bank Unit for biological material. She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty–single, childless, and without jobs in progressive industries–are sequestered for their final few years; they are considered outsiders. In the Unit they are expected to contribute themselves for drug and psychological testing,
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Ever since her parents announced that they’re getting divorced, Veronica has been falling. Hard. A junior in college, she has fallen in love. She has fallen behind in her difficult coursework. She hates her job as counselor at the dorm, and she longs for the home that no longer exists. When an attempt to escape the pressure, combined with bad luck, lands her in a terrifying situation, a shaken Veronica calls her mother for help—only to find her former foundation too preoccupied to offer any assistance at all.
But Veronica only gets to feel hurt for so long.
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Chase Insteadman, a handsome, inoffensive fixture on Manhattan’s social scene, lives off residuals earned as a child star on a beloved sitcom called Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth’s stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.
Into Chase’s cloistered city enters Perkus Tooth,
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When two nineteenth-century Oxford students—Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley—form an unlikely friendship, the result is a tour de force that could only come from one of the world’s most accomplished and prolific authors.
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor’s purposes.
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At the Manhattan knitting store founded by Georgia Walker, the members of the Friday Night Knitting Club—including Georgia’s daughter Dakota, now a college freshman—continue to rely on each other for help, even as they struggle with new challenges: for Catherine, finding love after divorce; for Darwin, the hope for a family; for Lucie, being both a single mom and a caregiver for her elderly mother; and for seventy something Anita, a proposal of marriage from her sweetheart, Marty, that provokes the objections of her grown children. As the club’s projects—an afghan, baby booties, a wedding coat—are pieced together, so is their understanding of the patterns underlying the stresses and joys of being a mother,
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