Sarah McConnell’s husband had been dead for three months when she saw him in the grocery store.
What does a woman do when she’s thirty-nine, childless, and completely alone for the first time in her life? Does it mean she’s crazy to think she sees her late husband beside a display of pumpkins? Or is it just what people do, a natural response to grief that will fade in time? That’s what Sarah McConnell’s friends told her, that it was natural, would last a season, and then fade away.
But what if there was another answer?
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Sarah Lucas imagined the rest of her days would be spent living peacefully in her rural Vermont home, in the steadfast company of her husband. But after Charles dies suddenly, seventy-five-year-old Sarah is left inconsolably alone—until a variety of wayward souls come seeking shelter in her big, empty home. As Sarah and this unruly flock form a family of sorts, they nurture and protect one another, discovering their unsuspected strengths and courage.
In the tradition of Jane Smiley and Sue Miller, Kate Maloy has crafted a wise and gratifying novel about a woman who gracefully accepts a surprising new role just when she thinks her best years are behind her.
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“You can always start again,” Kate Robinson’s mother once told her, “all it takes is a new thread.” Overwhelmed by heartbreak and loss, the struggling twenty-six-year-old fashion designer follows her mother’s advice and flees to her ancestral homeland of Ireland, hoping to break free of old patterns and reinvent herself.
She arrives on the west coast, in the seaside hamlet of Glenmara. In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband,
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Fatima Abdullah has exactly nine days left to live. For 992 nights, the eighty-five-year-old matriarch of a sprawling Arab American family has received nightly visits from the immortal Scheherazade, the bold and beautiful Persian queen who saved her own life with the spellbinding tales known as The Arabian Nights. Scheherazade has asked Fatima to share one story from her past on each visit. But on the 1,001st night, Fatima knows her storytelling—and her life—will come to an end. With time running out, Fatima still has many accounts to settle. She must find a wife for her openly gay grandson, teach Arabic to her wayward teenage great-granddaughter,
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When Elspeth Noblin dies of cancer, she leaves her London apartment to her twin nieces, Julia and Valentina. These two American girls never met their English aunt, only knew that their mother, too, was a twin, and Elspeth her sister. Julia and Valentina are semi-normal American teenagers—with seemingly little interest in college, finding jobs, or anything outside their cozy home in the suburbs of Chicago, and with an abnormally intense attachment to one another.
The girls move to Elspeth’s flat, which borders Highgate Cemetery in London. They come to know the building’s other residents.
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Gaby Stanton, an American professor living in Japan, has lost her job teaching English at Shizuyama University. (No one will tell her exactly why.) Alex Thorn, an American psychologist, is mourning his son, a Shizuyama exchange student who was killed in an accident. (No one will tell him exactly how.) Alex has come to this utterly foreign place to find the truth, and now Gaby is serving as his translator and guide. The key to mastering Japanese, she keeps telling him, is understanding what’s not being said. And in this “deft and delightful” (Karen Joy Fowler) novel, the unsaid truths about everything from work and love to illness and death cast a deafening silence-and tower in the background like Mount Fuji itself.
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