Hours before his untimely—and highly suspicious—death, world-renowned astrophysicist Thom Bergmann shares his discovery of extraterrestrial life with his wife, Lucy. Feeling that the warring world is not ready to learn of—or accept—proof of life elsewhere in the universe, Thom entrusts Lucy with his computer flash drive, which holds the keys to his secret work.
Devastated by Thom’s death, Lucy keeps the secret, but Thom’s friend, anthropologist Pierre Saad, contacts Lucy with an unusual and dangerous request about another sensitive matter. Pierre needs Lucy to help him smuggle a newly discovered artifact out of Egypt: an ancient codex concerning the human authorship of the Book of Genesis.
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What if saying hello to an old friend meant saying good-bye to life as you know it?
It’s been six years since Pen Calloway watched her best friends walk out of her life. And through the birth of her daughter, the death of her father, and the vicissitudes of single motherhood, she has never stopped missing them.
Pen, Cat, and Will met on their first day of college and formed what seemed like a magical and lifelong bond, only to see their friendship break apart amid the realities of adulthood. When, after years of silence,
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Thomas Nesbitt is a divorced writer in the midst of a rueful middle age. Living a very private life in Maine, in touch only with his daughter and still trying to recover from the end of a long marriage, his solitude is disrupted one wintry morning by the arrival of a box that is postmarked Berlin. The name on the box—Dussmann—unsettles him completely, for it belongs to the woman with whom he had an intense love affair twenty-six years ago in Berlin at a time when the city was cleaved in two and personal and political allegiances were frequently haunted by the deep shadows of the Cold War.
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The Andreas sisters were raised on books – their family motto might as well be, ‘There’s no problem a library card can’t solve.’
Their father, a renowned, eccentric professor of Shakespearean studies, named them after three of the Bard’s most famous characters: Rose (Rosalind – As You Like It), Bean (Bianca – The Taming of the Shrew), and Cordy (Cordelia – King Lear), but they have inherited those characters’ failures along with their strengths.
Now the sisters have returned home to the small college town where they grew up – partly because their mother is ill,
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One woman, an impossible dream, and the faith it took to see it through.
German immigrant and farm wife Hulda Klager possesses only an eighth-grade education—and a burning desire to create something beautiful. What begins as a hobby to create an easy-peeling apple for her pies becomes Hulda’s driving purpose: a time-consuming interest in plant hybridization that puts her at odds with family and community, as she challenges the early twentieth-century expectations for a simple housewife.
Through the years, seasonal floods continually threaten to erase her Woodland, Washington garden and a series of family tragedies cause even Hulda to question her focus.
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After the unexpected death of her parents, painfully shy and sheltered 26-year-old Ginny Selvaggio seeks comfort in cooking from family recipes. But the rich, peppery scent of her Nonna’s soup draws an unexpected visitor into the kitchen: the ghost of Nonna herself, dead for twenty years, who appears with a cryptic warning (“do no let her…”) before vanishing like steam from a cooling dish.
A haunted kitchen isn’t Ginny’s only challenge. Her domineering sister, Amanda, (aka “Demanda”) insists on selling their parents’ house, the only home Ginny has ever known. As she packs up her parents’
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