In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer.
Over the next four years—in which Ritvo’s illness returned and his health declined, even as his productivity bloomed—the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s correspondence, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love.
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Gail Ruffu was a rookie trainer known for her unconventional methods and ability to handle dangerous horses. When she became part owner of an untamed thoroughbred named Urgent Envoy, everything changed. After Urgent Envoy showed real promise, her co-owners forced Gail to speed up training and race him too early, injuring him. Refusing to drug the horse to keep it running, Gail lost Urgent Envoy to her partners, who pushed the horse even harder. One more race would kill him.
So on Christmas Eve, she rescued her own horse. A modern-day outlaw, Gail evaded private investigators and refused to give the horse up.
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As Seen on Late Night with Seth Meyers
One phone call. That’s all it took to change Stephanie Wittels Wachs’s life forever…
Her younger brother, Harris, a star in the comedy world known for his work on shows like Parks and Recreation, had died of a heroin overdose. How do you make sense of such a tragic end to a life of so much hilarious brilliance?
In beautiful, unsentimental, and surprisingly funny prose, Stephanie Wittels Wachs alternates between her brother’s struggle with addiction, which she learned about three days before her wedding,
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With mordant humor and penetrating intellect, Rachel Z. Arndt casts her gaze beyond event-driven narratives to the machinery underlying them: judo competitions measured in weigh-ins and wait times; the significance of the elliptical’s stationary churn; the standardized height of kitchen countertops; the rote scripts of dating apps; the stupefying sameness of the daily commute. “How much can data tell us?” Arndt asks, challenging us to consider the simultaneous comfort and absurdity of our exhaustively quantified—yet never entirely quantifiable—lives.
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It’s a rare and secret profession, comprising a few dozen people around the world equipped with a mysterious mixture of knowledge and innate sensibility. Summoned to Swiss bank vaults, Fifth Avenue apartments, and Tokyo storerooms, they are entrusted by collectors, dealers, and museums to decide if a coveted picture is real or fake and to determine if it was painted by Leonardo da Vinci or Raphael.
The Eye lifts the veil on the rarified world of connoisseurs devoted to the authentication and discovery of Old Master artworks. This is an art adventure story and a memoir all in one,
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The untold story of five women who fought to compete against men in the high-stakes national air races of the 1920s and 1930s—and won
Between the world wars, no sport was more popular, or more dangerous, than airplane racing. While male pilots were lauded as heroes, the few women who dared to fly were more often ridiculed—until a cadre of women pilots banded together to break through the entrenched prejudice.
Fly Girls weaves together the stories of five remarkable women: Florence Klingensmith, a high school dropout from Fargo, North Dakota; Ruth Elder,
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