In Sally Gardner’s 2014 Michael L. Printz Honor Book, set in a ruthless regime, an unlikely teenager risks all to expose the truth about a heralded moon landing.
What if the football hadn’t gone over the wall. On the other side of the wall there is a dark secret. And the devil. And the Moon Man. And the Motherland doesn’t want anyone to know. But Standish Treadwell — who has different-colored eyes, who can’t read, can’t write, Standish Treadwell isn’t bright — sees things differently than the rest of the “train-track thinkers.” So when Standish and his only friend and neighbor,
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Odd-job queen Starshine Hart is about to go on somebody else’s perfect date. At twenty-nine, the usually carefree Starshine has realized that it is easier to start sleeping with a man than to stop. Her lovers include one of the last underground members of the Weathermen, and the dilettante heir to a lawn chair magnate. Both men have staked their romantic future on her. Her only respite is her impending dinner with the non-threatening but unattractive tour guide Larry Bloom. But Larry, too, has a stake in her future. He has written a book about their impending dinner in which he fantasizes about Starshine’s life on the day he wins her heart.
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“Take the boy. Don’t ask permission. There will always be time to do the responsible thing. Before that, live.”
The Carnival at Bray is an electrifying story of loss and triumph, family and adventure, and of the earth-shattering power of music and love from newcomer Jessie Ann Foley.
It’s 1993, and Generation X pulses to the beat of Kurt Cobain and the grunge movement. Sixteen-year-old Maggie Lynch is uprooted from big-city Chicago to a windswept town on the Irish Sea. Surviving on care packages of Spin magazine and Twizzlers from her rocker uncle Kevin,
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Author and photographer Susan Kuklin met and interviewed six transgender or gender-neutral young adults and used her considerable skills to represent them thoughtfully and respectfully before, during, and after their personal acknowledgment of gender identity. Portraits, family photographs, and candid images grace the pages, augmenting the emotional and physical journey each youth has taken.
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Shortly after her sixteenth birthday, Sunshine Griffith and her mother, Kat, move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they cross the Washington state line, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn’t recognize it, Sunshine knows something about their new house is just…creepy.
On their first night in Ridgemont, Sunshine is awakened by the sound of footsteps coming from above,
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“Ori’s dead because of what happened out behind the theater, in the tunnel made out of trees. She’s dead because she got sent to that place upstate, locked up with those monsters. And she got sent there because of me.”
The Walls Around Us is a ghostly story of suspense told in two voices—one still living and one dead. On the outside, there’s Violet, an eighteen-year-old dancer days away from the life of her dreams when something threatens to expose the shocking truth of her achievement. On the inside, within the walls of a girls’ juvenile detention center,
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