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THE BIRTHDAYS

 The Birthdays tells the story of a unique family on the brink of a new generation, and examines modern-day marriage, pregnancy, and parenthood.

On an island off the coast of Maine, the Miller family reunites to celebrate the father’s seventy-fifth birthday. Each of the adult children is expecting his or her own first child. The eldest, Daniel, grapples with the fact that his wife had to be artificially inseminated. Jake, the middle child, discovers that his wife is carrying twins after many years of infertility treatments. Hilary—the free-spirited youngest daughter—arrives in Maine five months pregnant with no identifiable father in sight.

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GRUB

A long overdue retelling of New Grub Street—George Gissing’s classic satire of the Victorian literary marketplace—Grub chronicles the triumphs and humiliations of a group of young novelists living in and around New York City.

Eddie Renfros, on the brink of failure after his critically acclaimed first book, wants only to publish another novel and hang on to his beautiful wife, Amanda, who has her own literary ambitions and a bit of a roving eye. Among their circle are writers of every stripe—from the Machiavellian Jackson Miller to the ‘experimental writer’

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A CABINET OF WONDERS

 When the curtains are drawn back on the cabinet of wonders, every individual you meet is an original, the indelible mark of their uniqueness shaped in their flesh. Molly and Faye are spirited teenagers—and conjoined twins. Saffron is the Wolf Girl, her female form covered head to toe in fur. Alex/Alexandra is a seductive morphodite, her male/female parts irresistible to many.

To the rubes that pay good coin to see them, they are Freaks. To the other carnies—those who run the Ferris Wheel, the Girl Show, and more—they are the Starlight Carnival Royale’s most lucrative source of income,

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THIS IS NOT THE LIFE I ORDERED

They were four women whom destiny threw together over a decade ago. Collectively, they experienced the extreme joys and deep sorrows that life offers up. From mundane moments to the dramatic and surreal, the authors have a history of six marriages, ten children, four stepchildren, six dogs, two miscarriages, two cats, a failed adoption, widowhood, and foster parenthood. They have built companies, lost companies, and sold companies. One of them was shot and left for dead on a tarmac in South America, and two lived through the deaths of spouses. Raising babies and teenagers together, they have known celebrity and success along with loneliness and self-doubt.

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LUNCHEON OF THE BOATING PARTY

Luncheon of the Boating Party, the novel and the painting, depicts the summer of 1880, an exuberant postwar time when social constraints were loosening, Paris was healing, and Parisians were bursting with a desire for pleasure. The fourteen painted figures on the terrace overlooking the Seine enjoying this moment of la vie moderne are Renoir’s very real friends, whose lives unfold and connect during the course of the making of the painting. Seven of the models are viewpoint characters who reveal in their own voices the events of their lives during the weeks in between painting sessions.

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THE WEDDING OFFICER

In the sumptuous tradition of Chocolat and Captain Corelli’s Mandolin, and already optioned for a major motion picture, comes a magical tale of romantic passion, culinary delight—and Italy.

Captain James Gould arrives in wartime Naples assigned to discourage marriages between British soldiers and their gorgeous Italian girlfriends. But the innocent young officer is soon distracted by an intoxicating young widow who knows her way around a kitchen…Livia Pertini is creating feasts that stun the senses with their succulence—ruby-colored San Marzana tomatoes, glistening anchovies, and delectable new potatoes encrusted with the black volcanic earth of of Campania—and James is about to learn that his heart may rank higher than his orders.

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