At 34, Scarlet Kavanagh has the kind of homecoming no child wishes, a visit back to family and dear friends for the gentle passing of her mother, Addie, a famous bird artist and an even more infamous environmental activist. Though Addie and her husband, ornithologist Tom Kavanagh, have made their life in southeastern Pennsylvania, Addie has chosen to die at the New Jersey home of her dearest friend, Cora. This is because the Kavanagh’s ramshackle cottage is filled with too much history and because, in the last ten years or so, and for reasons that are not entirely clear, even bird song has seemed to make Addie angry,
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Small wonder that, at nine years old, Monica Holloway develops a fascination with the local funeral home. With a father who drives his Ford pickup with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children, Monica is primed to become a morbid child.
Yet in spite of her father’s bouts of violence and abuse, her mother’s selfishness and prim denial, and her siblings’ personal battles and betrayals, Monica never succumbs to despair. Instead, she forges her own way,
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When James Walker arrives at Tudor College, Cambridge, he tries to create a vague air of mystery about himself in the hope of making the right kind of friends. By accident or fate he encounters a member of the Night Climbers, a wealthy, secretive, and tantalizingly eccentric circle of undergraduates who scale the college towers and gargoyles at night in pursuit of the kind of thrill-seeking danger that makes them feel truly alive.
Seduced by their reckless charisma and talent for decadence, James falls for both Francis, the group’s ringleader, and Jessica, his beautiful best friend. Their extravagant living is financed,
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