After her boss in a high-powered Washington public relations firm is caught in a political scandal, fledgling lobbyist Dempsey Jo Killebrew is left almost broke, unemployed, and homeless. Out of options, she reluctantly accepts her father’s offer to help refurbish Birdsong, the old family place he recently inherited in Guthrie, Georgia. All it will take, he tells her, is a little paint and some TLC to turn the fading Victorian mansion into a real-estate cash cow.
But, oh, is Dempsey in for a surprise when she arrives in Guthrie. “Bird Droppings” would more aptly describe the moldering Pepto Bismol-pink dump with duct-taped windows and a driveway full of junk.
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Fife, Scotland, 1984. Mick Prentice abandons his family at the height of a politically charged national miners’ strike to join the strikebreakers down south. Despised and disowned by friends and relatives, he is not reported missing until twenty-three years later.
Fife, Scotland, 1985. Kidnapped heiress Catriona Maclennan Grant is killed and her baby son vanishes when the ransom payoff goes horribly wrong. In 2008, a tourist in Tuscany stumbles upon dramatic new evidence that reopens the investigation.
Already immersed in the Prentice affair, Detective Karen Pirie,
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I didn’t know that people come into our lives, and sometimes, if we’re terribly lucky, we get the chance to love them, that sometimes they stay, that sometimes you can, truly, depend on them.
Cathie Beck was in her late thirties and finally able to exhale after a lifetime of just trying to get by. A teenage mother harboring vivid memories of her own hardscrabble childhood, Cathie had spent years doing whatever it took to give her children the stability—or at least the illusion of it—that she’d never had. More than that, through sheer will and determination,
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“We’re just going to look.” Helen Brown had no intention of adopting a pet when she brought her sons, Sam and Rob, to visit a friend’s new kittens. But the runt of the litter was irresistible, with her overlarge ears and dainty chin.
When Cleo was delivered weeks later, she had no way of knowing that her new family had just been hit by a tragedy. Helen was sure she couldn’t keep her—until she saw something she thought had vanished from the earth forever: her son’s smile. The reckless, rambunctious kitten stayed.
Through happiness and heartbreak,
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Hilary Mantel’s Wolf Hall, winner of the 2009 Man Booker Prize, tells the story of Henry VIII and Anne Boleyn, of the execution of Thomas More and the English Reformation, all from a new vantage point—through the eyes of the man traditionally considered its villain. For centuries Thomas Cromwell has been widely regarded as the unprincipled and power-hungry opportunist whose influence on Henry VIII contributed to the worst excesses of Tudor England. But Mantel gives Cromwell a chance to tell his side of the story, from his humble beginnings at the hands of a drunk and abusive father,
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On the afternoon of August 20, 1910, a battering ram of wind moved through the drought-stricken national forests of Washington, Idaho, and Montana, whipping the hundreds of small blazes burning across the forest floor into a roasting inferno that jumped from treetop to ridge as it raged, destroying towns and timber in the blink of an eye. Forest rangers had assembled nearly ten thousand men—soldiers, college boys, day workers, immigrants from mining camps—to fight the fire. But no living person had seen anything like those flames, and neither the rangers nor anyone else knew how to subdue them. In this epic story of an America outgrowing its manifest destiny,
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