This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, and the struggles of late nineteenth-century Parisian life.
She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her.
In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.”
Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire,
Who was Vivian Maier? Many people know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. They revealed her to be an inadvertent master of twentieth-century American street photography. Not long after, the news broke that Maier had recently died and had no surviving relatives. Soon the whole world knew about her preternatural work, shooting her to stardom almost overnight.
But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier’s true achievements,
From the Bestselling Author of The Art Forger and The Muralist
It’s the summer of 1922, and nineteen-year-old Paulien Mertens finds herself in Paris—broke, disowned, and completely alone. Everyone in Belgium, including her own family, believes she stole millions in a sophisticated con game perpetrated by her then-fiancé, George Everard. To protect herself from the law and the wrath of those who lost everything, she creates a new identity, a Frenchwoman named Vivienne Gregsby, and sets out to recover her father’s art collection, prove her innocence—and exact revenge on George.
When the eccentric and wealthy American art collector Edwin Bradley offers Vivienne the perfect job,
Rusty’s grandfather has just died. And Anton, Ruben, and the minister’s son all have it in for him. But with his grandfather’s broken pocket-watch, two cans of paint, and a little help from his friends, Rusty can do anything! Just as long as nobody’s parents find out.
The first book in a highly popular, award-winning middle-grade series from Norway, Brown has been sold into twenty-seven languages and is illustrated by the now-familiar and beloved Øyvind Torseter. A fun, satisfying read accompanied by excellent visual storytelling.
A powerful examination of the artistic impulse, cultural identity, and family bonds
Anita is waiting for Adam to be released from prison. They met twenty years ago, at a New Year’s Eve party in Paris, a city where they both felt out of place—he as a recent arrival from the provinces, and she as an immigrant from the island of Mauritius. They quickly fell in love, married, and moved to a village in southwestern France, to live on the shores of the Atlantic with their little girl, Laura.
In order to earn a living,