Insecure, shy, and way overweight, Colby hates the limelight as much as her pageant-pretty mom and sisters love it. It’s her life: Dad’s a superstar, running for office on a family values platform. Then suddenly, he ditches his marriage for a younger woman and gets caught stealing money from the campaign. Everyone hates Colby for finding out and blowing the whistle on him. From a mansion, they end up in a poor relative’s trailer, where her mom’s contempt swells right along with Colby’s supersized jeans.
Then, a cruel video of Colby half-dressed, made by her cousin Ryan, finds its way onto the internet.
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For fans of Amélie and The Little Paris Bookshop, a modern fairytale about a French woman whose life is turned upside down when she meets a reclusive bookseller and his young daughter.
Juliette leads a perfectly ordinary life in Paris, working a slow office job, dating a string of not-quite-right men, and fighting off melancholy. The only bright spots in her day are her métro rides across the city and the stories she dreams up about the strangers reading books across from her: the old lady, the math student, the amateur ornithologist, the woman in love,
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Beverly put her foot down on the gas. They went faster still.
This was what Beverly wanted — what she always wanted. To get away. To get away as fast as she could. To stay away.
Beverly Tapinski has run away from home plenty of times, but that was when she was just a kid. By now, she figures, it’s not running away. It’s leaving. Determined to make it on her own, Beverly finds a job and a place to live and tries to forget about her dog, Buddy, now buried underneath the orange trees back home;
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Since the publication of Stitches a decade ago, David Small has emerged as one of the seminal authors in the genre of graphic literature. Here, in Home After Dark, a Boston Globe Best Book of 2018, Small provides a “painfully honest” and “haunting work of unfolding surprise” (Jules Feiffer) that renders the brutality of adolescence in the 1950s. Through “gorgeous and expressive drawings” (Roz Chast), Small “recaptures the inchoate chaos of youth” (Jack Gantos), telling the story of thirteen-year-old Russell Pruitt, who, abandoned by his mother, follows his father to the sun-splashed land of California in search of a dream.
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Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable,
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All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.
Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.
Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about?
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