The Korean smash hit available for the first time in English, a slice-of-life novel for readers of Matt Haig’s The Midnight Library and Gabrielle Zevin’s The Storied Life of AJ Fikry.
Yeongju is burned out. She did everything she was supposed to: go to school, marry a decent man, get a respectable job. Then it all fell apart. In a leap of faith, she abandons her old life, quits her high-flying career, and follows her dream: opening a bookshop. In a quaint neighborhood in Seoul, surrounded by books, Yeongju and her customers take refuge.
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Daejeon, South Korea. 1980. At twenty-four, Insuk falls in love with her college classmate, Sungho, and with her father’s blessing, they marry. But then, as the military dictatorship, martial law, and nationwide protests bring the country precariously to the edge, Insuk’s father disappears.
In the wake of his disappearance, Insuk flees to California with Sungho, their son Henry, and Sungho’s overbearing mother. Adrift in a new country, Insuk grieves the loss of her past and divided homeland, only to find herself drawn into an illicit affair that sets into motion dramatic events that will echo for generations to come.
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Tsotsil-Maya elder, curer, singer, and artist Maruch Méndez Pérez began learning about birds as a young shepherdess climbing trees and raiding nests for eggs to satisfy her endless hunger. As she grew into womanhood and apprenticed herself to older women as a curer and seer, the natural history of birds she learned so roughly as a child expanded to include ancestral Maya beliefs about birds as channels of communication with deities in the spirit world who had dominion over human lives. In these testimonies dictated to her lifelong friend, anthropologist Diane Rus, Méndez Pérez describes her years of dreams, instruction,
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When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.
Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land,
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A mesmerizing, inventive story of three souls in 1930s Philadelphia seizing new life while haunted by the old.
I do not believe that all the world is darkness.
In the swirl of Philadelphia at the end of Prohibition, Leyb meets Charles. They are at a former speakeasy called Cricket’s, a bar that welcomes, as Charles says in his secondhand Yiddish, feygeles. Leyb is startled; fourteen years in amerike has taught him that his native tongue is not known beyond his people. And yet here is suave Charles–fingers stained with ink, an easy manner with the barkeep–a Black man from the Seventh Ward,
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Daniel Zimmer will do almost anything to end his pain–except for the one thing that might work.
Growing up in 1970s Brooklyn under the shadow of his tyrannical father and against the backdrop of the Son of Sam murders, the Karen Ann Quinlan tragedy, and the New York Yankees’ back-to-back championship seasons, Daniel Zimmer struggles to find a sense of safety and belonging. Daniel and his brother Max find moments of solace in the rebellious rhythms of early punk and metal bands like the Ramones and Judas Priest. But when faced with an unexpected family tragedy–for which he feels responsible–Daniel discovers the magical escape that alcohol can provide,
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