Long before there was a Duluth, Minnesota, the massive outcropping that divides the city emerged from the ridge of gabbro rock running along the westward shore of Lake Superior. A great westward migration carried the Ojibwe people to this place, the Point of Rocks. Against this backdrop—Misaabekong, the place of the giants—the lives chronicled in Linda LeGarde Grover’s book unfold, some in myth, some in long-ago times, some in an imagined present, and some in the author’s family history, all with a deep, tenacious bond to the land, one another, and the Ojibwe culture. Within the larger history, Grover tells the story of her ancestors’ arrival in Duluth over two hundred years ago.
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Liam is the boy, lying in the hospital, in grave condition, a bullet lodged in his head. Otto is his father, a commercial artist whose marriage has collapsed in the wake of the disaster. Paul Griner’s brave novel taps directly into the vein of a uniquely American tragedy: the school shooting. We know these grotesque and sorrowful events too well. Thankfully, the characters in this drama are finely drawn human beings—those who gain our empathy, those who commit the unspeakable acts, and those conspiracy fanatics who launch a concerted campaign to convince the world that the shooting was a hoax.
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Destined to be a modern classic from “an original and a canonical presence in Irish fiction” (Colm Tóibín), Small Things Like These is Claire Keegan’s landmark new novel, the tale of one man’s courage — and a remarkable portrait of love and family.
It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, who is father to five girls, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church.
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A mordantly funny, all-too-real novel in the vein of Tom Perotta and Emma Straub about a suburban American family who have to figure out how to survive themselves and their neighbors in the wake of a global calamity that upends all of modern life.
It’s Tuesday morning in Lincolnwood, New Jersey, and all four members of the Altman family are busy ignoring each other en route to work and school. Dan, a lawyer turned screenwriter, is preoccupied with satisfying his imperious TV producer boss’s creative demands. Seventeen-year-old daughter Chloe obsesses over her college application essay and the state tennis semifinals.
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In the dark days of World War II, an unlikely romance blossoms between a Scottish woman and an Italian prisoner of war in this haunting novel with the emotional complexity of The Boat Runner and All the Light We Cannot See—a powerful and atmospheric story of love, jealousy, and conscience that illuminates the beauty of the human spirit from the author of The Glass Woman.
In the wake of the Allies’ victory in North Africa, 1,000 Italian soldiers have been sent to a remote island off the Scottish coast to wait out the war.
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This “beautiful novel . . . has echoes of The Great Gatsby”: an immigrant father and his son search for belonging—in post-Trump America, and with each other (Dwight Garner, New York Times).
A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father,
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