With the opening line of Silver Sparrow, “My father, James Witherspoon, is a bigamist,” author Tayari Jones unveils a breathtaking story about a man’s deception, a family’s complicity, and two teenage girls caught in the middle.
Set in a middle-class neighborhood in Atlanta in the 1980s, the novel revolves around James Witherspoon’s two families—the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich yet flawed characters—the father,
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Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna,
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Named a New York Times Editors’ Choice, a People magazine “Pick of the Week,” and an Indie Next and Midwest Connections selection, The Year We Left Home is the career-defining novel that Jean Thompson’s admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century.
Stretching from the early 1970s in the Iowa farmlands to suburban Chicago and across the map of contemporary America, The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak,
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Thailand’s pristine Ko Phi Phi island attracts tourists from around the world. There, struggling to make ends meet, small-resort owners Lek and Sarai are happy to give an American named Patch room and board in exchange for his help. But when Patch’s brother, Ryan, arrives, accompanied by his girlfriend, Brooke, Lek learns that Patch is running from the law, and his presence puts Lek’s family at risk. Meanwhile, Brooke begins to doubt her love for Ryan while her feelings for Patch blossom.
In a landscape where nature’s bounty seems endless, these two families are swept up in an approaching cataclysm that will require all their strength of heart and soul to survive…
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Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times.
Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world,
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This
is the story of Kate and Michael. He was a sweet young boy, neglected by his
birth mother and now living with his dad.
Michael’s
father, Kate’s boyfriend, allowed Kate to become Michael’s mother—to care for
him and help raise him and to blossom in her unexpected new role. But when they
split up after six years, despite his early assurances to the contrary, the
father refused Kate access to the child. She had no rights. She was devastated.
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