This “beautiful novel . . . has echoes of The Great Gatsby”: an immigrant father and his son search for belonging—in post-Trump America, and with each other (Dwight Garner, New York Times).
A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father,
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Seventh grade is going to be a real trial for Merci Suárez. For science she’s got no-nonsense Mr. Ellis, who expects her to be a smart as her brother, Roli. She’s been assigned to co-manage the tiny school store with Wilson Bellevue, a boy she barely knows, but whom she might actually like. And she’s tangling again with classmate Edna Santos, who is bossier and more obnoxious than ever now that she is in charge of the annual Heart Ball.
One thing is for sure, though: Merci Suárez can’t dance—not at the Heart Ball or anywhere else. Dancing makes her almost as queasy as love does,
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Dave Cartwright used to be good at a lot of things: good with his hands, good at solving problems, good at staying calm in a crisis. But on the heels of his third tour in Iraq, the fabric of Dave’s life has begun to unravel. Gripped by PTSD, he finds himself losing his home, his wife, his direction. Most days, his love for his seven-year-old daughter, Bella, is the only thing keeping him going. When tragedy strikes, Dave makes a dramatic decision: the two of them will flee their damaged lives, heading off the grid to live in the wilderness of the Pacific Northwest.
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WINNER OF THE SIGURD F. OLSON NATURE WRITING AWARD
Kendra Atleework grew up in Swall Meadows, in the Owens Valley of the Eastern Sierra Nevada, where annual rainfall averages five inches and in drought years measures closer to zero.
Kendra’s parents taught their children to thrive in this beautiful, if harsh, landscape, prone to wildfires, blizzards, and gale-force winds. Above all, they were raised on unconditional love and delight in the natural world. After Kendra’s mother died of a rare autoimmune disease when Kendra was just sixteen, however, her once-beloved desert world came to feel empty and hostile,
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A heart stopping memoir of a wrenching Appalachian girlhood and a multilayered portrait of a misrepresented people, from Rona Jaffe Writer’s Award winner Shawna Kay Rodenberg.
When Shawna Kay Rodenberg was four, her father, fresh from a ruinous tour in Vietnam, spirited her family from their home in the hills of Eastern Kentucky to Minnesota, renouncing all of their earthly possessions to live in the Body, an off-the-grid End Times religious community. Her father was seeking a better, safer life for his family, but the austere communal living of prayer, bible study and strict regimentation was a bad fit for the precocious Shawna.
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One of the most prominent voices of her generation debuts with an extraordinarily powerful memoir: the story of a childhood defined by the looming absence of her incarcerated father.
Through poverty, adolescence, and a fraught relationship with her mother, Ashley Ford wishes she could turn to her father for hope and encouragement. There are just a few problems: he’s in prison, and she doesn’t know what he did to end up there. She doesn’t know how to deal with the incessant worries that keep her up at night, or how to handle the changes in her body that draw unwanted attention from men.
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