Set in mythical Belle Coeur County in a time not too far from our own, Rose & Poe gloriously re-imagines Shakespeare’s The Tempest from the point of view of Caliban and his mother.
Rose and her giant, simple son, Poe, live quietly on the fringes of their town — tending their goats and working at odd jobs. Prosper Thorne, banished from his big-city law practice and worrying about his fading memory, obsessively watches over his beloved daughter Miranda.
When Poe erupts from the forest one day carrying Miranda’s bruised and bloody body,
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Red is an oak tree who is many rings old. Red is the neighborhood “wishtree”—people write their wishes on pieces of cloth and tie them to Red’s branches. Along with her crow friend Bongo and other animals who seek refuge in Red’s hollows, this “wishtree” watches over the neighborhood.
You might say Red has seen it all. Until a new family moves in. Not everyone is welcoming, and Red’s experiences as a wishtree are more important than ever.
Funny, deep, warm, and nuanced, Wishtree is Newbery Medalist and New York Times–bestselling author Katherine Applegate at her very best—writing from the heart,
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When Sarah Perry was twelve, she saw a partial eclipse of the sun, an event she took as a sign of good fortune for her and her mother, Crystal. But that brief moment of darkness ultimately foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine, just a few feet from Sarah’s bedroom.
The killer escaped unseen; it would take the police twelve years to find him, time in which Sarah grew into adulthood, struggling with abandonment, police interrogations, and the effort of rebuilding her life when so much had been lost.
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The memoir of a woman who leaves her faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world
Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family.
But over the years, her doubts became noisier than her faith, and at age forty she could no longer breathe in what had become a suffocating existence.
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“[A] stunning debut…reminds me of my most favorite authors: J.D. Salinger, Carson McCullers, Truman Capote, Joan Didion.” —A.M. Homes
I viewed the consumptive nature of love as a threat to serious women. But the wonderful man I just married believes as I do—work is paramount, absolutely no children—and now love seems to me quite marvelous.
These words are spoken to a rapturous audience by Joan Ashby, a brilliant and intense literary sensation acclaimed for her explosively dark and singular stories.
When Joan finds herself unexpectedly pregnant, she is stunned by Martin’s delight,
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Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged.
Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs;
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