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THE COMFORT OF GHOSTS

A milestone in historical mystery fiction as Maisie Dobbs takes her final bow! The Comfort of Ghosts completes Jacqueline Winspear’s ground-breaking and internationally bestselling series.

An outstanding historical series.” —The New York Times

Winspear is a brilliant writer, mixing the history and the mystery with the psychology of criminals and victims.” —The Historical Novel Society

Psychologist and investigator Maisie Dobbs unravels a profound mystery from her past in a war-torn nation grappling with its future.

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LONG ISLAND

*Named a Most Anticipated Book by The New York Times, The Washington Post, The Financial Times, The Minneapolis Star-Tribune, Good Housekeeping, AARP, and more*

From the beloved, critically acclaimed New York Times bestselling author comes a spectacularly moving and intense novel of secrecy, misunderstanding, and love, the story of Eilis Lacey, the complex and enigmatic heroine of Brooklyn, Tóibín’s most popular work twenty years later.

Eilis Lacey is Irish, married to Tony Fiorello, a plumber and one of four Italian American brothers, all of whom live in neighboring houses on a cul-de-sac in Lindenhurst,

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THE FAMILIAR

Set in the Spanish Golden Age, during a time of high‑stakes political intrigue and glittering wealth, The Familiar follows Luzia, a servant in the household of an impoverished Spanish nobleman who reveals a talent for little miracles. Her social‑climbing mistress demands Luzia use her gifts to win over Madrid’s most powerful players but what begins as simple amusement takes a dangerous turn. Luzia will need to use every bit of her wit and will to survive—even the help of Guillén Santángel, an immortal familiar whose own secrets could prove deadly for them both.

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EVERY TIME WE SAY GOODBYE

The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.

In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry’s last chance for a dramatic career.

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