From the New York Times bestselling author of Amazing Grace Adams comes a wryly resonant and deeply moving family dramedy investigating the question so many of us have asked ourselves: do my parents have a favorite?
Vivienne and Patrick Fisher have done an excellent job raising their three daughters, Alex, Nancy, and Eva. They’re well-adjusted women with impressive careers, caring partners, exciting hobbies, and sweet children. So it’s with great anticipation that three generations of Fishers gather at a beautiful glass house in the English countryside for a weeklong celebration of Vivienne’s seventieth birthday.
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Lily has the whole summer stretched out before her—endless days of sunshine and friends at beautiful Pippi Beach. Then superstar Dorian Khan arrives, with his party of Hollywood types. While most of the locals, including Lily’s glamor-obsessed mum, are thrilled to be so close to the A-listers, Lily can’t help but see them as superficial and arrogant, especially Dorian, the most famous of them all. But as Lily’s and Dorian’s paths continue to cross, she begins to wonder if she’s got him all wrong.
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How to Dodge a Cannonball is a razor-sharp satire that dives into the heart of the Civil War, hilariously questioning the essence of the fight, not just for territory, but for the soul of America.
How to Dodge a Cannonball is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future—as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus.
Anders finds honor as a proud Union flag twirler—until he’s captured.
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For fans of Alison Espach’s The Wedding People and Dolly Alderton’s Good Material, a delectable comedy of manners about cooking, ambition, and friendship set in the food world as a young and socially awkward writer takes a job ghostwriting the cookbook for a famous (and famously chaotic) Hollywood starlet.
Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories.
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An unforgettable, high-stakes, laugh-out-loud funny novel, The Witchstone blends the merciless humor of The Good Place with the spellbinding fantasy of Neil Gaiman’s American Gods.
Meet Laszlo, eight-hundred-year-old demon and Hell’s least productive Curse Keeper. From his office beneath Midtown, he oversees the Drakeford Curse, which involves a pathetic family upstate and a mysterious black monolith. It’s a sexy enough assignment–colonial origins, mutating victims, et cetera–but Laszlo has no interest in maximizing the curse’s potential; he’d rather sunbathe in Ibiza, quaff martinis, and hustle the hustlers on Manhattan’s subway. Unfortunately, his division has new management, and Laszlo’s ratings are so abysmal that he’s given six days to shape up or he’ll be melted down and returned to the Primordial Ooze.
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August and Valentine, seventeen-year-old best friends, run a business called Summer Love, Inc. They hire themselves out to unhappy parents whose kids are in bad relationships, adopting fake identities and going undercover to break up these relationships by any means necessary.
Valentine, the brains of the operation, believes that they’re making the world a better place by steering people away from a relationship precipice so they can someday find true love. But for August, every case is personal–another chance to prove that true love doesn’t exist. He blames his sister’s manipulative boyfriend for her death, and–unlike Valentine–he doesn’t believe in soulmates.
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