For fans of Alison Espach’s The Wedding People and Dolly Alderton’s Good Material, a delectable comedy of manners about cooking, ambition, and friendship set in the food world as a young and socially awkward writer takes a job ghostwriting the cookbook for a famous (and famously chaotic) Hollywood starlet.
Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories.
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An unforgettable, high-stakes, laugh-out-loud funny novel, The Witchstone blends the merciless humor of The Good Place with the spellbinding fantasy of Neil Gaiman’s American Gods.
Meet Laszlo, eight-hundred-year-old demon and Hell’s least productive Curse Keeper. From his office beneath Midtown, he oversees the Drakeford Curse, which involves a pathetic family upstate and a mysterious black monolith. It’s a sexy enough assignment–colonial origins, mutating victims, et cetera–but Laszlo has no interest in maximizing the curse’s potential; he’d rather sunbathe in Ibiza, quaff martinis, and hustle the hustlers on Manhattan’s subway. Unfortunately, his division has new management, and Laszlo’s ratings are so abysmal that he’s given six days to shape up or he’ll be melted down and returned to the Primordial Ooze.
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August and Valentine, seventeen-year-old best friends, run a business called Summer Love, Inc. They hire themselves out to unhappy parents whose kids are in bad relationships, adopting fake identities and going undercover to break up these relationships by any means necessary.
Valentine, the brains of the operation, believes that they’re making the world a better place by steering people away from a relationship precipice so they can someday find true love. But for August, every case is personal–another chance to prove that true love doesn’t exist. He blames his sister’s manipulative boyfriend for her death, and–unlike Valentine–he doesn’t believe in soulmates.
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Knives Out and Clue meet Agatha Christie and The Thursday Murder Club in this “utterly original” (Jane Harper), “not to be missed” (Karin Slaughter), fiendishly clever blend of classic and modern murder mystery.
“A witty twist on classic whodunits… Stevenson not only ‘plays fair,’ he plays the mystery game very, very well.” — Maureen Corrigan, Washington Post
Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I’m not trying to be dramatic, but it is the truth.
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From the bestselling author of Everyone in My Family Has Killed Someone, a fiendishly fun locked room (train) murder mystery in the spirt of Murder on the Orient Express. With Ernest Cunningham, “Stevenson has brought a modern-day Poirot to the mystery scene”(Michelle Carpenter).
When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.
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The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story.
Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead.
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