Finalist for the 2021 National Book Award (Fiction)
From prize-winning, acclaimed author Laird Hunt, a poignant novel about a woman searching for her place in the world and finding it in the daily rhythms of life in rural Indiana.
“It was Indiana, it was the dirt she had bloomed up out of, it was who she was, what she felt, how she thought, what she knew.”
As a girl, Zorrie Underwood’s modest and hardscrabble home county was the only constant in her young life. After losing both her parents, Zorrie moved in with her aunt,
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Joy Bergman is not slipping into old age with the quiet grace her children, Molly and Daniel, would prefer. She won’t take their advice, and she won’t take an antidepressant. Her marriage to their father, Aaron, has lasted through health and dementia, as well as some phenomenally lousy business decisions. The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don’t just grow, they grow old. Cathleen Schine’s They May Not Mean To, but They Do is a tender, sometimes hilarious intergenerational story about searching for where you belong as your family changes with age.
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Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack–the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the “particular language” of “grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody”–with economy and integrity.
Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. As Scanlan puts it, “I wanted to preserve–amplify, exaggerate–Sonia’s idiosyncratic speech,
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A new generation comes to terms with China’s past
Cheng Gong and Li Jiaqi go way back. Both hailing from dysfunctional families, they grew up together in a Chinese provincial capital in the 1980s. Now, many years later, the childhood friends reunite and discover how much they still have in common. Both have always been determined to follow the tracks of their grandparents’ generation to the heart of a mystery that perhaps should have stayed buried. What exactly happened during that rainy night in 1967, in the abandoned water tower? Zhang Yueran’s layered and hypnotic prose reveals much about the unshakable power of friendship and the existence of hope.
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Three teenagers are traveling northeast in a navy blue Ford pickup. Turi has fled his abusive family to see the beautiful New England landscape he’s always dreamed about. Arnulfo is undocumented and wants only to find someplace to work and live. Molly seeks a new life far away from her nowhere Missouri town. Turi and Arnulfo are best friends. Molly and Turi are falling in love.
But for all their innocence, violence follows the trio at every turn. The mean viejito who owns the truck wants it back. The narco who hid a deadly shipment in the truck really,
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After the Union Army’s defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix,
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