The Silk Road begins on a mat in yoga class, deep within a labyrinth on a settlement somewhere in the icy north, under the canny guidance of Jee Moon. When someone fails to arise from corpse pose, the Astronomer, the Archivist, the Botanist, the Keeper, the Topologist, the Geographer, the Iceman, and the Cook remember the paths that brought them there—paths on which they still seem to be traveling.
The Silk Road also begins in rivalrous skirmishing for favor, in the protected Eden of childhood, and it ends in the harrowing democracy of mortality,
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The White Elephant looms large over the quaint suburban town of Willard Park: a gaudy, newly constructed behemoth of a home, it soars over the neighborhood, dwarfing the houses that surround it. When owner Nick Cox cuts down Allison and Ted Millers’ precious red maple—in an effort to make his unsightly property more appealing to buyers—their once serene town becomes a battleground.
While tensions between Ted and Nick escalate, other dysfunctions abound: Allison finds herself compulsively drawn to the man who is threatening to upend her quietly organized life. A lawyer with a pot habit and a serious midlife crisis skirts his responsibilities.
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New York, late summer, 2000. A party in a spacious Manhattan apartment, hosted by a wealthy young activist. Dozens of idealistic twenty-somethings have impassioned conversations over takeout dumplings and champagne. The evening shines with the heady optimism of a progressive new millennium. A young man, Ben, meets a young woman, Kate—and they begin to fall in love.
From their first meeting, Ben knows Kate is unworldly and fanciful, so at first he isn’t that concerned when she tells him about the recurring dream she’s had since childhood. In the dream, she’s transported to the past, where she lives a second life as Emilia,
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A new novel from Sarah Jessica Parker’s imprint, SJP for Hogarth: a deeply affecting debut novel set in Trinidad, following the lives of a family as they navigate impossible choices about scarcity, loyalty, and love
Rural Trinidad: a brick house on stilts surrounded by bush; a family, quietly surviving, just trying to live a decent life. Clyde, the father, works long, exhausting shifts at the petroleum plant in southern Trinidad; Joy, his wife, looks after the home. Their two sons, thirteen years old, wake early every morning to travel to the capital, Port of Spain, for school.
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For fans of Ann Patchett’s Bel Canto, Annie Proulx’s Accordion Crimes, Amanda Coplin’s The Orchardist
A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.
In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn,
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A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most.Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief.
Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares,
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