All the beloved, irascible Auntie Poldi wanted from her Sicilian retirement was time to enjoy the sunshine, a free-flowing supply of wine, and a sultry romance with Chief Inspector Vito Montana. But then her idyll is rudely disrupted by the last person she wants to see on her doorstep: John Owenya, detective inspector with the Tanzanian Ministry of Home Affairs, who is also her estranged lying cheat of a husband.
Not only is John’s sudden reappearance putting a kink in Poldi’s dreamy love affair with Montana, but his presence also comes with a plea for help—and unwanted clashes with the Mafia.
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When ex-CIA agent Vera Kelly loses her job and her girlfriend in a single day, she reluctantly goes into business as a private detective. Heartbroken and cash-strapped, she takes a case that dredges up dark memories and attracts dangerous characters from across the Cold War landscape. Before it’s over, she’ll chase a lost child through foster care and follow a trail of Dominican exiles to the Caribbean. Forever looking over her shoulder, she nearly misses what’s right in front of her: her own desire for home, connection, and a new romance at the local bar.
In this exciting second installment of the Vera Kelly series,
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Shots rang out in Savannah’s grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt’s sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.
It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club;
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Henrietta Von Harmon works as a 26 girl at a corner bar on Chicago’s northwest side. It’s 1935, but things still aren’t looking up since the big crash and her father’s subsequent suicide, leaving Henrietta to care for her antagonistic mother and younger siblings. Henrietta is eventually persuaded to take a job as a taxi dancer at a local dance hall—and just when she’s beginning to enjoy herself, the floor matron turns up dead.
When aloof Inspector Clive Howard appears on the scene, Henrietta agrees to go undercover for him—and is plunged into Chicago’s grittier underworld. Meanwhile, she’s still busy playing mother hen to her younger siblings,
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In this second book of the series, Henrietta and Clive delightfully rewrite Pride and Prejudice—with a hint of mystery!
Newly engaged, Clive and Henrietta now begin the difficult task of meeting each other’s family. “Difficult” because Clive has neglected to tell Henrietta that he is in fact the heir to the Howard estate and fortune, and Henrietta has just discovered that her mother has been hiding secrets about her past as well. When Clive brings Henrietta to the family estate to meet his parents, they are less than enthused about his impoverished intended. Left alone in this extravagant new world when Clive returns to the city,
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This third book in the Henrietta and Inspector Howard series provides a delightful romp through the English countryside and back.
Anxious to be married, Henrietta and Clive push forward with their wedding plans despite their family differences, made worse now by Oldrich Exley’s attempts to control the Von Harmons. When the long-awaited wedding day arrives, there is more unfolding than just Clive and Henrietta’s vows of love. Stanley and Elsie’s relationship is sorely tested by the presence of the dashing Lieutenant Harrison Barnes-Smith and by Henrietta’s friend Rose—a situation that grows increasingly dark and confused as time goes on.
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