I threw my neck out in the middle of Swan Lake last night.
So begins the tale of Kate Crane, a soloist in a celebrated New York City ballet company who is struggling to keep her place in a very demanding world. At every turn she is haunted by her close relationship with her younger sister, Gwen, a fellow company dancer whose career quickly surpassed Kate’s, but who has recently suffered a breakdown and returned home.
Alone for the first time in her life, Kate is anxious and full of guilt about the role she may have played in her sister’s collapse.
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On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbor Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
But just as Circular Quay resonates with Australia’s past, each of the four carries a complicated history from elsewhere. Each person is haunted by past secrets and guilt. Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin,
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In Terenure, a pleasant suburb of Dublin, it has snowed. Gina Moynihan, girl about town, recalls the trail of lust and happenstance that brought her to fall for "the love of her life," Se n Vallely. As the city outside comes to a halt, Gina remembers their affair: long afternoons made blank by bliss and denial. Now, as the silent streets and falling snow make the day luminous and full of possibility, Gina awaits the arrival of Se n’s fragile, twelve-year-old daughter, Evie-the complication, and gravity, of this second life. In this extraordinary novel, Anne Enright speaks directly to the readers she won with The Gathering.
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Helen Keller’s life of tragedy and triumph made her an American legend. Her incredible story of how she first learned to communicate has been told in films such as The Miracle Worker and in her autobiography, The Story of My Life. Although Helen Keller exists as an icon, she was also a woman, with the same desires and needs as any other. This is the side of Helen Keller that isn’t included in films, history books, or even her own writing; this is the side that is imagined in Rosie Sultan’s debut novel, Helen Keller in Love.
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From earliest childhood, the precocious boy called Iago had inconvenient tendencies toward honesty—a failing that made him an embarrassment to his family and an outcast in the corrupt culture of glittering Renaissance Venice. Embracing military life as an antidote to the frippery of Venetian society, Iago won the love of the beautiful Emilia and the regard of Venice’s revered General Othello. After years of abuse and rejection, Iago was poised to achieve everything he had ever fought for and dreamed of . . .
But a cascade of unexpected deceptions propels him on a catastrophic quest for righteous vengeance,
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Heather and Mack McKay seem to have it all: wealth, a dream house in the suburbs, and two adorable children along with the nannies to raise them. But their marriage has lost its savor: she is a frustrated writer and he longs for a cultural trophy to hang on his belt.
During a chance encounter in LA, Mack invites exiled writer Zoltan Barbu—once lionized as a political hero, now becoming a has-been—to live with him and his wife in their luxurious home. The plan should provide Heather with literary companionship, Mack with cultural cachet, and Zoltan himself with a pastoral environment in which to overcome his writer’s block and produce a masterpiece.
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