Maisie Dobbs, Psychologist and Investigator—”one of the great fictional heroines, equal parts haunted and haunting” (Parade magazine)—returns in a chilling adventure, the latest chapter in Jacqueline Winspear’s bestselling series.
Early April, 1933. Maisie’s newest clients are the costermongers of Covent Garden, men who sell fruit and vegetables from horse-drawn carts on the streets of London. To the costers, Eddie Pettit was simply a gentle soul with a near-magical gift for working with horses, and when he is killed in a violent accident, the costers are skeptical about the cause of his death. Because her father, Frankie, had been a fellow costermonger,
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“Why are you so unhappy?” That’s the question that Zeke Pappas, a thirty-three-year-old scholar, asks almost everybody he meets as part of an obsessive project, “The Inventory of American Unhappiness.” The answers he receives—a mix of true sadness and absurd complaint—create a collage of woe.
Zeke, meanwhile, remains delightfully oblivious to the increasingly harsh realities that threaten his daily routine, opting instead to focus his energy on finding the perfect mate so that he can gain custody of his orphaned nieces. Following steps outlined in a women’s magazine, the ever-optimistic Zeke identifies some “prospects”: a newly divorced neighbor,
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Still living at home despite a good career and financial independence, beautiful and sophisticated Rasika has always been the dutiful daughter. With her twenty-sixth birthday fast approaching, she agrees to an arranged marriage, all while trying to hide from her family her occasional dalliances with other men.
Abhay is everything an Indian-American son shouldn’t be. Having spent his postcollege years living in a commune, he now hops from one dead-end job to another, brooding over what he really wants to do with his life.
Old family friends, Rasika and Abhay seem to have nothing in common,
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Clare Burke has spent eighteen years, two of them in a maximum security prison, hoping to hear from her older sister, Anne [so it connects to her mention below] On a frigid morning in Montauk nearly two decades earlier, Clare’s attempt to rescue her sister from an abusive marriage went horribly wrong. It was the day Clare lost her freedom and her family—the day her life was shattered. After her release, Clare manages to put her life back together, resuming her nature writing and urban birding around New York City. Anne has since moved to Denmark, still with her husband and still too furious or too afraid to reach out to her sister.
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Scott and Maureen Torres-Thompson have always relied on others to run their Orange County home. But when bad investments crater their bank account, it all comes down to Araceli: their somewhat prickly Mexican maid. One night, an argument between the couple turns physical, and a misunderstanding leaves the children in Araceli’s care. Their parents unreachable, she takes them to central Los Angeles in the hopes of finding Scott’s estranged Mexican father—an earnest quest that soon becomes a colossal misadventure, with consequences that ripple through every strata of the sprawling city. The Barbarian Nurseries is a masterful tale of contemporary Los Angeles,
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What drives a young woman raised in a postwar New York City suburb to convert to Islam, abandon her country and Jewish faith, and embrace a life of exile in Pakistan? The Convert tells the story of how Margaret Marcus of Larchmont became Maryam Jameelah of Lahore, one of the most trenchant and celebrated voices of Islam’s argument with the West.
A cache of Maryam’s letters to her parents in the archives of the New York Public Library sends acclaimed biographer Deborah Baker (In Extremis: The Life of Laura Riding) on her own odyssey into the labyrinthine heart of twentieth-century century Islam.
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